Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-30T23:21:19.506Z Has data issue: false hasContentIssue false

Introduction: Festivals and Musical Life

Published online by Cambridge University Press:  15 January 2020

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Introduction
Copyright
Copyright © The Society for American Music 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anderson, Benedict R.Imagined Communities: Reflections on the Origin and Spread of Nationalism. 2nd ed. London: Verso, 1991.Google Scholar
Bennett, Andy, Taylor, Jodie, and Woodward, Ian, eds. The Festivalization of Culture. Burlington, VT: Ashgate, 2014.Google Scholar
Clague, Mark. “The Industrial Evolution of the Arts: Chicago's Auditorium Building (1889–) as Cultural Machine.Opera Quarterly 22, nos. 3–4 (Summer–Autumn 2006): 477511.CrossRefGoogle Scholar
Cocks, Catherine. “The Chamber of Commerce's Carnival: City Festivals and Urban Tourism in the United States, 1890–1915.” In Being Elsewhere: Tourism, Consumer Culture, and Identity in Modern Europe and North America, edited by Baranowski, Shelley and Furlough, Ellen, 89107. Ann Arbor: University of Michigan Press, 2001.Google Scholar
Cormany, Diane L.Coachella Fans, Online and Translocal.” Journal of Popular Music Studies 27, no. 2 (2015): 184–98.CrossRefGoogle Scholar
Frey, Bruno S.The Economics of Music Festivals.” Journal of Cultural Economics 18, no. 1 (1994): 2939.CrossRefGoogle Scholar
Fry, Robert W.Becoming a ‘True Blues Fan’: Blues Tourism and Performances of the King Biscuit Blues Festival.” Tourist Studies 14, no. 1 (2014): 6685.CrossRefGoogle Scholar
Hiller, R. Scott. “Exclusive Dealing and Its Effects: The Impact of Large Music Festivals on Local Music Venues.” Review of Industrial Organization 45, no. 2 (2014): 153–75.CrossRefGoogle Scholar
Holt, Fabian. “The Economy of Live Music in the Digital Age.” European Journal of Cultural Studies 13, no. 2 (2010): 243–61.CrossRefGoogle Scholar
King, Stephen A.Blues Tourism in the Mississippi Delta: The Functions of Blues Festivals.” Popular Music & Society 27, no. 4 (2004): 455–75.CrossRefGoogle Scholar
Kruse, Holly. “Local Identity and Independent Music Scenes, Online and Off.” Popular Music and Society 33, no. 5 (2010): 625–39.CrossRefGoogle Scholar
Levine, Lawrence W.Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press, 1988.Google Scholar
Meyer, Birgit. “Introduction: From Imagined Communities to Aesthetic Formations: Religious Mediations, Sensational Forms, and Styles of Binding.” In Aesthetic Formations: Media, Religion, and the Senses, edited by Meyer, Birgit, 128. New York: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Oakes, Steve. “Demographic and Sponsorship Considerations for Jazz and Classical Music Festivals.” Service Industries Journal 23, no. 3 (2003): 165–78.CrossRefGoogle Scholar
Peterson, Marina. Sound, Space, and the City: Civic Performance in Downtown Los Angeles. Philadelphia: University of Pennsylvania Press, 2010.CrossRefGoogle Scholar
St John, Graham, ed. Weekend Societies: Electronic Dance Music Festivals and Event-Cultures. New York: Bloomsbury Academic, 2017.CrossRefGoogle Scholar
Thrane, Christer. “Jazz Festival Visitors and Their Expenditures: Linking Spending Patterns to Musical Interest.” Journal of Travel Research 40, no. 3 (2002): 281–86.CrossRefGoogle Scholar
Vaillant, Derek. Sounds of Reform: Progressivism and Music in Chicago, 1873–1935. Chapel Hill: University of North Carolina Press, 2003.Google Scholar
Whitmore, Aleysia K. “(Re)Defining Bands, Genres, and Cultures on the Festival Circuit.” Paper given at the 60th Annual Conference of the Society for Ethnomusicology, Austin, TX, December 3–6, 2015.Google Scholar
Wynn, Jonathan R.Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport. Chicago: University of Chicago Press, 2015.CrossRefGoogle Scholar