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Article contents
The Greatest Showman. Michael Gracey, director. Twentieth Century Fox Home Entertainment, 2017.
Published online by Cambridge University Press: 18 February 2019
Abstract
- Type
- Media Reviews
- Information
- Copyright
- Copyright © The Society for American Music 2019
References
1 April Wolfe, “Suckers May Be Bored Every Minute of the Exhausting The Greatest Showman,” The Village Voice, December 21, 2017, https://www.villagevoice.com/2017/12/21/suckers-may-be-bored-every-minute-of-the-exhausting-the-greatest-showman/.
2 “The Greatest Showman,” Rotten Tomatoes, accessed October 1, 2018, https://www.rottentomatoes.com/m/the_greatest_showman_2017/.
3 Keith Caulfield, “Billboard 200 Chart Moves: The Greatest Showman is 2018's First Million-Selling Album in U.S.,” Billboard, June 15, 2018, https://www.billboard.com/articles/columns/chart-beat/8461271/greatest-showman-first-million-selling-album-2018-billboard-200-chart-moves.
4 Stephanie Goodman, “What's So Great About The Greatest Showman?,” New York Times, February 9, 2018, https://www.nytimes.com/2018/02/09/movies/why-do-you-love-the-greatest-showman.html.
5 Stephanie Goodman, “You Explain What's Truly Great About The Greatest Showman,” New York Times, February 14, 2018, https://www.nytimes.com/2018/02/14/movies/greatest-showman-hugh-jackman-fans.html?module=inline.
6 The potential for historians to reinstall the agency of people who performed in nineteenth-century freak shows is explored in Davies, Helen, Neo-Victorian Freakery: The Cultural Afterlife of the Victorian Freak Show (Basingstoke, UK: Palgrave Macmillan, 2015)CrossRefGoogle Scholar.
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