Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-24T12:57:16.566Z Has data issue: false hasContentIssue false
  • English
  • Français

Good Booty: Love and Sex, Black and White, Body and Soul in American Music. By Ann Powers. New York: Dey St. Books, 2017.

Published online by Cambridge University Press:  24 April 2020

Jacqueline Warwick
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Journal of the Society for American Music , Volume 14 , Issue 2 , May 2020 , pp. 241 - 243
Copyright
Copyright © The Society for American Music 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 “Tutti Frutti” has been recorded dozens of times in its sixty-plus-year history, including: Pat Boone's notorious 1956 version; Adriano Celantano's 1958 Italian job; Danish duo Jan & Kjeld's 1959 recording; Johnny Hallyday's French effort from 1961; Liverpool's Swinging Blue Jeans in 1964, Detroit's MC5 in 1970, as well as versions from the California Raisins and Alvin & the Chipmunks in 1988 and 1990 respectively. It is now widely considered one of the most important songs of the rock and roll revolution.

2 Lorde, Audre, “The Uses of the Erotic: The Erotic as Power,” in Sister Outsider (1978; Berkeley: Crossing Press, 1984), 89Google Scholar.