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From Hipster to Hillbilly: Death, Bluegrass, and Gospel According to David Crowder

Published online by Cambridge University Press:  15 August 2019

JOSHUA KALIN BUSMAN
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Abstract

Even with the widespread adoption of rock-styled “praise and worship” music in American churches, bluegrass and gospel musics still serve as potent musical signifiers, especially among the white southern evangelicals comprising praise and worship's primary demographic. Drawing repertoire and influence from Hank Williams, Loretta Lynn, and Bill Gaither, evangelical artist David Crowder uses strategic musical references to establish his own sense of “hillbilly” religiosity but often deploys these references in ways that align him with a “hipster” community of young musicians and music fans. In this paper, I demonstrate the ways that strategic references to bluegrass and gospel music allow Crowder to situate himself within these multiple discourses of evangelical authenticity.

Type
Research Article
Information
Journal of the Society for American Music , Volume 13 , Issue 3 , August 2019 , pp. 338 - 358
Copyright
Copyright © The Society for American Music 2019 

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