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Aboriginal Music in Contemporary Canada: Echoes and Exchanges. Edited by Anna Hoefnagels and Beverley Diamond. Montréal: McGill-Queen's University Press, 2012.

Published online by Cambridge University Press:  18 May 2016

Abstract

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Type
Book Review
Copyright
Copyright © The Society for American Music 2016 

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References

1 Diamond, Beverley and Szego, Kati, eds., “Indigenous Modernities Special Issue.” MUSICultures 39, no. 33 (2012)Google Scholar.

2 See Keeling, Richard, North American Indian Music: A Guide to Published Sources and Selected Recordings (New York: Garland, 1997)Google Scholar.

3 Keillor, Elaine, Archambault, Timothy, and Kelly, John Medicine Horse, eds., Encyclopedia of Native American Music of North America (Westport, CT: Greenwood Press, 2013)Google Scholar.

4 Fenton, William N., The Great Law and the Longhouse: A Political History of the Iroquois Confederacy (Norman: University of Oklahoma Press, 1998)Google Scholar.

5 Abu-Lughod, Lila, “Writing Against Culture,” in Recapturing Anthropology: Working in the Present, ed. Fox, Richard G. (Santa Fe, NM: School of American Research Press, 1991)Google Scholar, 137–62.

6 More information on the past century of recordings can be found in Wright-McLeod, Brian, The Encyclopedia of Native Music (Tucson: University of Arizona Press, 2005)Google Scholar, but this resource is not comprehensive.

8 Denys, Nicolas, Description geographique et historique des costes de l'Ameriqve Septentrionale: Avec l'Histoire naturelle du païs (Paris: Chez L. Billaine, 1672)CrossRefGoogle Scholar.