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The Twentieth Century: Un siècle de musique … russe? - Richard Taruskin, On Russian Music. Berkeley, CA, and London: University of California Press, 2009. 407 pp. ISBN 978 0 520 24979 0. - Philip Ross Bullock, Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England. Royal Musical Association Monographs, 18. Farnham: Ashgate, 2009. ix + 195 pp. ISBN 978 0 7546 6662 2.
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Richard Taruskin, On Russian Music. Berkeley, CA, and London: University of California Press, 2009. 407 pp. ISBN 978 0 520 24979 0.
Philip Ross Bullock, Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England. Royal Musical Association Monographs, 18. Farnham: Ashgate, 2009. ix + 195 pp. ISBN 978 0 7546 6662 2.
Published online by Cambridge University Press: 01 January 2011
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References
1 See Valérie Dufour, Stravinski et ses exégètes (1910–1940) (Brussels, 2006), 213–44.
2 Igor Stravinsky, Poetics of Music in the Form of Six Lessons (3rd edn, Cambridge and London, 1970), 30, 31.
3 Pierre Souvtchinsky, ‘La notion du temps et la musique (réflexions sur la typologie de la création musicale)’, Revue musicale, 20/191 (May–June 1939), 70–80.
4 For instance, see Edward Campbell, Boulez, Music and Philosophy (Cambridge, 2010).
5 Two noteworthy exceptions are Sergei Glebov, ‘Science, Culture, and Empire: Eurasianism as a Modernist Movement’, Slavic and East European Information Sources, 4/4 (2003), 13–31, and Sergey Glebov, ‘Le frémissement du temps: Petr Suvchinsky, l'eurasisme et l'esthétique de la modernité’, Pierre Souvtchinski: Cahiers d’étude, ed. Eric Humbertclaude (Paris, 2006), 163–223.
6 (Re)Lire Souvtchinski, ed. Eric Humbertclaude (La Bresse, 1990).
7 Pierre Souvtchinsky, Un siècle de musique russe (1830–1930): Glinka, Moussorgsky, Tchaïkowsky, Strawinsky; et autres écrits: Strawinsky, Berg, Messiaen et Boulez, ed. Frank Langlois (Arles, 2004).
8 Richard Taruskin, Defining Russia Musically: Historical and Hermeneutical Essays (Princeton, NJ, 1997), xiv.
9 Gerald Abraham, ‘M. D. Calvocoressi (1877–1944)’, Musical Times, 85 (1944), 84.
10 Francesco Parrino, ‘Alfredo Casella and the Montjoie! Affair’, Repercussions, 10 (spring 2007), 91–118.
11 Scott Messing, Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic (Rochester, NY, 1996); and Dufour, Stravinski et ses exégètes.
12 Richard Taruskin, ‘Stravinsky and Us’, The Cambridge Companion to Stravinsky, ed. Jonathan Cross (Cambridge, 2003), 260–84.
13 Richard Taruskin, ‘Stravinsky and Us’, The Cambridge Companion to Stravinsky, ed. Jonathan Cross (Cambridge, 2003), 260.
15 Stravinsky, Poetics of Music, 141–2.
14 Igor Stravinsky, An Autobiography (New York, 1962), 53.
16 Stravinsky, An Autobiography, 54.
17 Stravinsky, Poetics of Music, 29–33.
18 Stravinsky, Poetics of Music, 31.
19 Stravinsky, Poetics of Music, 70.
20 Stravinsky, Poetics of Music, 70–4.