No CrossRef data available.
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
Published online by Cambridge University Press: 07 October 2021
1 Press release, 29 October 2019, website of the Beethoven Jubiläums GmbH, <https://www.bthvn2020.de/fileadmin/user_upload/Pressemeldungen/191028_Press_Release_Start_conference_BTHVN2020.pdf> (accessed 7 February 2021).
2 Burnham, Scott, Beethoven Hero (Princeton, NJ: Princeton University Press, 1995)CrossRefGoogle Scholar.
3 Bonds, Mark Evan, The Beethoven Syndrome: Hearing Music as Autobiography (New York: Oxford University Press, 2019)Google Scholar.
4 See especially Rumph, Stephen, Beethoven after Napoleon: Political Romanticism in the Late Works (Berkeley, CA: University of California Press, 2004)CrossRefGoogle Scholar, and Mathew, Nicholas, Political Beethoven (Cambridge: Cambridge University Press, 2013)Google Scholar.
5 Examples of the many specialized studies in this area include John A. Rice, Empress Marie Therese and Music at the Viennese Court, 1792–1807 (Cambridge: Cambridge University Press, 2003); David Wyn Jones, The Symphony in Beethoven’s Vienna (Cambridge: Cambridge University Press, 2006); and Nancy November, Cultivating String Quartets in Beethoven’s Vienna (Woodbridge: Boydell, 2017).
6 See, for instance, the recent Music and Biography, ed. Joanne Cormac, special issue, 19th-Century Music, 44 (2020–1), 61–132, with contributions from Simon P. Keefe, Joanne Cormac, Kristin M. Franseen and Paul Watt; and Christopher Wiley, ‘Biography and Life-Writing’, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century, ed. Paul Watt, Sarah Collins and Michael Allis (New York: Oxford University Press, 2020), 77–102.
7 Alexander Wheelock Thayer, Ludwig van Beethovens Leben, ed. Hermann Deiters, 3 vols. (Berlin: F. Schneider, 1866–79); 2nd edn, completed by Hugo Riemann, 5 vols. (Berlin: Breitkopf & Härtel, 1907–15); English edn as The Life of Ludwig van Beethoven, ed. and trans. Henry Edward Krehbiel, 3 vols. (New York: Beethoven Association, 1921), rev. Elliot Forbes as Thayer’s Life of Beethoven (Princeton: Princeton University Press, 1964).
8 See Stadlen, Peter, ‘Schindler’s Beethoven Forgeries’, Musical Times, 118/1613 (1977), 549–52CrossRefGoogle Scholar.
9 Kropfinger, Klaus, Wagner and Beethoven: Richard Wagner’s Reception of Beethoven (Cambridge: Cambridge University Press, 1991)CrossRefGoogle Scholar.
10 Wagner, Richard, Beethoven (Leipzig: Fritsch, 1870)Google Scholar.
11 Wagner, Richard, ‘Une visite à Beethoven’, Revue et gazette musicale de Paris, November–December 1840, trans. William Ashton Ellis as ‘A Pilgrimage to Beethoven’, in Richard Wagner’s Prose Works, 8 vols. (London: Kegan Paul, Trench, Trübner & Co., 1892–9), vii: In Paris and Dresden (1898), 21–45 Google Scholar.
12 Original text in Richard Wagner, Sämtliche Briefe, ed. Gertrud Strobel and Werner Wolf, 8 vols. (Leipzig: Deutscher Verlag für Musik, 1967–93), i: 1830–42, 483.
13 Beethoven-Studien: Festgabe der Oesterreichischen Akademie der Wissenschaften zum 200. Geburtstag von Ludwig van Beethoven, ed. Erich Schenk (Vienna: H. Böhlaus, 1970).
14 Proceedings published as Beiträge ’76–78: Beethoven-Kolloquium 1977: Dokumentation und Aufführungspraxis, ed. Rudolf Klein (Kassel: Bärenreiter, 1978).
15 Nottebohm’s main publications on Beethoven’s sketches are Ein Skizzenbuch von Beethoven (Leipzig: Breitkopf & Härtel, 1865); Beethoveniana (Leipzig: Rieter-Biedermann, 1872); Ein Skizzenbuch von Beethoven aus dem Jahre 1803 (Leipzig: Breitkopf & Härtel, 1880); and Zweite Beethoveniana (Leipzig: C. F. Peters, 1887).
16 Lockwood, Lewis, Beethoven: The Music and the Life (New York: W. W. Norton, 2003)Google Scholar.