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Alban Berg, Lulu (miniature score), Act 3 realized by Friedrich Cerha. Vienna, Universal Edition, 1985. 2 vols., viii + vi + 1008 pp. - Friedrich Cerha, Arbeitsbericht zur Herstellung des 3. Akts der Oper LULU von Alban Berg. Vienna, Universal Edition, 1979. 52 pp. ISBN 3 7024 0080. - George Perle, The Operas of Alban Berg, ii: Lulu. Berkeley, University of California Press, 1985. x + 315 pp. ISBN 0 520 04502 5.

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Alban Berg, Lulu (miniature score), Act 3 realized by Friedrich Cerha. Vienna, Universal Edition, 1985. 2 vols., viii + vi + 1008 pp.
Friedrich Cerha, Arbeitsbericht zur Herstellung des 3. Akts der Oper LULU von Alban Berg. Vienna, Universal Edition, 1979. 52 pp. ISBN 3 7024 0080.
George Perle, The Operas of Alban Berg, ii: Lulu. Berkeley, University of California Press, 1985. x + 315 pp. ISBN 0 520 04502 5.

Published online by Cambridge University Press:  01 January 2020

Anthony Pople
Anthony Pople*
Affiliation:
Lancaster University
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Journal of the Royal Musical Association , Volume 114 , Issue 2 , 1989 , pp. 251 - 273
Copyright
Copyright © 1989 Royal Musical Association

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References

1 Perle, George, The Operas of Alban Berg, 1. Wozzeck (Berkeley, 1980)Google Scholar

2 Given fully in George Perle, ‘The Secret Program of the Lyric Suite’, Lyric Suite 5 (1977), 7–11Google Scholar

3 This observation has been confirmed dramatically by the sketch studies of Patricia Hall (‘The Progress of a Method: Berg's Tone Rows for Lulu’, Lulu 71 (1985), 500–19). It now seems possible to state that the first phase of the opera's composition extended probably as far as, but certainly no further than, bar 521 of Act 1.Google Scholar

4 Perle, George, ‘Lulu. The Formal Design’, Journal of the American Musicological Society, 17 (1964), 179–92CrossRefGoogle Scholar

5 Perle, Notably George, ‘Lulu. Thematic Material and Pitch Organization’, Music Review, 26 (1965), 269–302Google Scholar

6 Pople, Anthony, 'Serial and Tonal Aspects of Pitch Structure in Act III of Berg's Lulu, Soundings, 10 (1983), 43–5.Google Scholar

7 Perle, George, ‘The Music of Lulu. A New Analysis’, Journal of the American Musicological Society, 12 (1959), 185–200.Google Scholar

8 Jarman, Douglas, ‘Alban Berg, Wilhelm Fliess and the Secret Programme of the Violin Concerto’, The Musical Times, 124 (1983), 218–23.CrossRefGoogle Scholar

9 Perle, George, ‘A Note on Act III of Lulu’, Lulu 2 (1964), 8–13Google Scholar

10 Hans F. Redlich, Alban Berg Versuch einer Würdigung (Vienna, 1957), 216, 265–7.Google Scholar

11 Perle, George, ‘The Score of Lulu’, Lulu 3 (1965), 127–32Google Scholar

12 Ibid., 129Google Scholar

13 Douglas Jarman. The Music of Alban Berg (London, 1979), 12–13CrossRefGoogle Scholar

14 Ibid.Google Scholar

15 Jarman, Douglas, ‘Some Observations on Rhythm, Metre and Tempo in Lulu’, Lulu 2 (1981), 20.Google Scholar

16 Jarman, The Music of Alban Berg, 169Google Scholar

17 Jarman, ‘Some Observations’, 26–7.Google Scholar

18 Reich, Willi, Alban Berg Mit Bergs eigenen Schriften und Beiträgen von Theodor Wiesengrund-Adorno und Ernst Krenek (Vienna, 1937), 122Google Scholar

19 Ibid.Google Scholar

20 Jarman, Douglas, ‘Lulu: The Sketches’, International Alban Berg Society Newsletter, 6 (1978), 7.Google Scholar

21 IbidGoogle Scholar