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Michael Talbot, Antonio Vivaldi: A Guide to Research. Garland Composer Resource Manuals, 12. New York and London, Garland Publishing, Inc., 1988. xlv + 204 pp. ISBN 0 8240 8366 5.

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Michael Talbot, Antonio Vivaldi: A Guide to Research. Garland Composer Resource Manuals, 12. New York and London, Garland Publishing, Inc., 1988. xlv + 204 pp. ISBN 0 8240 8366 5.

Published online by Cambridge University Press:  01 January 2020

Eric Cross
Eric Cross*
Affiliation:
University of Newcastle upon Tyne
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Type
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Information
Journal of the Royal Musical Association , Volume 115 , Issue 2 , 1990 , pp. 265 - 269
Copyright
Copyright © 1990 Royal Musical Association

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References

1 Talbot, In Michael, Vivaldi, The Master Musicians (London, 1978, 2nd edn, 1984) and Vivaldi, BBC Music Guide (London, 1979)Google Scholar

2 Including Claudio Gallico, ‘Vivaldi dagli archivi di Mantova’, Vivaldi veneziano europeo, ed Francesco Degrada (Florence, 1980), 77–88, and Luigi Cataldi, ‘I rapporti di Vivaldi con il “Teatro detto il Comico” di Mantova’, Informazioni e studi vivaldiani, 6 (1985), 88–110Google Scholar

3 Talbot, Michael, ‘Vivaldi and Rome. Observations and Hypotheses’, Journal of the Royal Musical Association, 113 (1988), 28–46.CrossRefGoogle Scholar

4 This appears in Vivaldi's letter of 16 November 1737 to Guido Bentivoglio d'Aragona, transcribed in Federigo Stefani, Sei lettere di Antonio Vivaldi maestro compositore della prima metà del secolo XVIII (Venice, 1871)Google Scholar

5 Eleanor Selfridge-Field, ‘Dating Vivaldi's Venetian Operas’, Informazioni e studi vivaldiani, 5 (1984), 53–65Google Scholar

6 Most recently by Anna Laura Bellina, Bruno Brizi and Maria Grazia Pensa, I libretti vivaldiani recensione e collazione del testimoni a stampa (Florence, 1982).Google Scholar

7 Rinaldi, Mario, ‘Alla scoperta di Vivaldi operista’, Collectanea historiae musicae, 4 (1966), 239–53; Ryom, Peter, ‘Einige Probleme der Sinfonien Vivaldis’, Vivaldi Informations, 1 (1971–2), 10–13, and Ferruccio Tàmmaro, ‘Contaminazioni e polivalenze nell’ Orlando finto pazzo di Vivaldi', Rivista italiana di musicologia, 17 (1982), 71–108Google Scholar

8 In Musical Quarterly, 34 (1948), 371–403, and 35 (1949), 85–105, partial translation in Oliver Strunk, Source Readings in Music History (London, 1952), 518–31Google Scholar