Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-25T05:48:37.391Z Has data issue: false hasContentIssue false

Hidden from Scholarly Eyes for a Century: An unknown Bāysunghurī manuscript sheds new light on his court and library

Published online by Cambridge University Press:  08 November 2018

SHIVA MIHAN*
Affiliation:
University of [email protected]

Abstract

Persian arts of the book reached new heights under the patronage of the Timurids, in particular in the atelier of prince Bāysunghur (1399–1433) in Herat. This paper introduces a dual-text manuscript produced there in 833/1430, now held in the Suleymaniye Library in Istanbul, which has previously escaped scholarly attention. Up until now its scribe, Saʿd Mashhadī, has been known only for his copy of the Tārīkh-i Jahāngushāy of ʿAtā-Malik Juvaynī (834/1431). He has been identified with Maulānā Saʿd al-Dīn named in the ʿArża-dāsht, the report written by Bāysunghur's chief librarian, Jaʿfar Tabrīzī. On the basis of the report and a study of the calligraphy, I argue Saʿd Mashhadī penned a third manuscript for Bāysunghur, an early copy of the Zubdat al-tawārīkh, c.829/1426. This article attempts to provide a fuller picture of the calligrapher. A number of biographical dictionaries mention a contemporary called Ḥāfiẓ Saʿd, a follower of Qāsim Anvār, who was a prominent poet and riddle writer. Beginning with a poetic connection between the two names in a biographical work, and pursuing an in-depth study of his Dīvān, which, through riddles, reveals an association with Bāysunghur's atelier, I suggest that Saʿd Mashhadī and Ḥāfiẓ Saʿd could be the same person. Whether or not this is the case, this study sheds new light on an important but little known court poet and Sufi and a calligrapher in the royal atelier.

Type
Research Article
Copyright
Copyright © The Royal Asiatic Society 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Akimushkin, O. F., “The Library-Workshop (kitābkhāna) of Bāysunghur-Mīrzā in Herat”, Manuscripta Orientalia, 3: 1 (1997), pp. 1424.Google Scholar
Āl-i Dāvūd, S. ʿA., “ʿArafāt al-ʿāshiqīn: Sayrī dar aḥvāl va āthār-i mu'allif-i ān”, Nāma-yi Farhangistān, no. 3 (1374/1995), pp. 3353.Google Scholar
Navā’ī, ʿAlīshīr, Majālis al-nafāyis, ed. Ḥekmat, ʿA. A. (Tehran, 1363/1984).Google Scholar
Aḥmad Rāzī, Amīn, Taẕkira-yi Haft Iqlīm, ed. Fāżil, J., 3 vols. (Tehran, 1378/1999).Google Scholar
Tihrānī, Āqā Buzurg, al-Ẕarī‘a ila taṣānīf al-shī‘a, 26 vols. (Beirut, 1403/1983).Google Scholar
Auḥadī Balyānī, T., Taẕkira-yi ʿArafāt al-ʿāshiqīn va ʿaraṣāt al-ʿārifīn, eds. Ṣāḥibkār, Ẕ., Fakhr Aḥmad, Ā. and Qahramān, M., 8 vols. (Tehran, 1389/2010).Google Scholar
Bayānī, M., Aḥvāl va āthār-i khushnivīsān (Tehran, 1363/1984).Google Scholar
Binbaş, İ. E., “The anatomy of a regicide attempt: Shāhrukh, the Ḥurūfīs, and the Timurid intellectuals in 830/1426–27”, Journal of the Royal Asiatic Society, 23:3 (2013), pp. 391428.Google Scholar
Brend, B., “Illumination and a problematic picture in a Divan of Hafiz-i Sa‘d for Pir Budaq Qara Quyunlu”, Festschrift Zeren Tanindi: Art and Culture of Books in the Islamic World (forthcoming).Google Scholar
Munshī, Budāq, Javāhir al-akhbār, ed. Bahrām Nizhād, M. (Tehran, 1378/1999).Google Scholar
Samarqandī, Daulatshāh, Taẕkirat al-shuʻarā’, ed. Browne, E. G. (Tehran, 1382/2003).Google Scholar
Faṣīḥ Khwāfī, A., Mujmal-i Faṣīḥī, ed. Nājī Nasrābādī, S. M., 3 vols. (Tehran, 1386/2007).Google Scholar
Franssen, E., “A maġribī copy of the Kitāb al-faraj ba'd aš-Šidda, by the ʿIrāqī qāḍī al-Tanūḫī. Study of a manuscript of Liège University (Belgium)”, Journal of Islamic Manuscripts, 1:1 (2010), pp. 6178.Google Scholar
Hāj Aḥmadīpūr Rafsanjānī, M., “Taṣḥīḥ va taḥqīq dar Dīvān-i Saʿd Ḥāfiẓ Tabrīzī” (M.A. dissertation, Rafsanjān Valī ʿAsr University, 1388/2009).Google Scholar
Hāj Aḥmadīpūr Rafsanjānī, M., Dīvān-i Ḥāfiẓ Saʿd Tabrīzī (Saʿd Allāh) (forthcoming: Tehran, 1397/2018?).Google Scholar
Khalīfa, Ḥājjī (Haci Halife), Kashf al-ẓunūn ʿan asāmī al-kutub wa al-funūn (Istanbul, 1360/1940).Google Scholar
Ḥusaynī Sunbuhlī, M. Ḥ. D., Taẕkira-yi Ḥusaynī (Lucknow, 1292/1875).Google Scholar
Jalālī, N., “Pīr Budāq”, Dāyirat al-ma‘ārif-i buzurg-i Islamī (Tehran, 1385/2004), vol. 14, pp. 119121.Google Scholar
Khushgū, B. D., Safīna-yi Khushgū, ed. Aṣghar, S. K. (Tehran, 1389/2010).Google Scholar
Khwānsārī, M. B., Raużāt al-jannāt fi aḥvāl al-‘ulamā’ wa al-sādāt, 8 vols. (Tehran, 1390/2011).Google Scholar
Khwāndamīr, , Ḥabīb al-sīyar, ed. Dabīr Sīyāqī, M., 4 vols. (Tehran, 1353/1974).Google Scholar
Lentz, T. W., “Painting at Herat under Baysunghur ibn Shah Rukh”, unpublished PhD dissertation (Harvard University, 1985).Google Scholar
Martin, F. R., The Miniature Painting and Painters of Persia, India and Turkey from the 8th to the 18th Century, 2 vols (London, 1912).Google Scholar
Mihan, S., “On the meaning of a fifteenth century technical term in a Timurid document associated with prince Baysonghor's library in Herat”, Iran, 54:2 (2016), pp. 1520.Google Scholar
Mihan, S., “The Baysunghuri manuscript in the Malek Library”, Shahnama Studies III: The reception of the Shahnama, eds. Melville, C. and van den Berg, G. (Leiden, Boston, 2018a), pp. 373419.Google Scholar
Mihan, S., “Timurid Manuscript Production: The Scholarship and Aesthetics of Prince Bāysunghur's Royal Atelier (1420–1435)” (University of Cambridge, 2018b).Google Scholar
Mihan, S., “Tārīkh-i Vaṣṣāf: A misidentified manuscript from Prince Bāysunghur's kitābkhāna”, Nāma-yi Bāysunghur, no. 1 (Herat, 1397/2018c).Google Scholar
Mohamed, Y., The Path to Virtue: the ethical philosophy of al-Raghib al-Isfahani, an annotated translation with critical introduction (Malaysia, 2006).Google Scholar
Naṣrābādī Iṣfahanī, M. T., Taẕkira-yi Naṣrābādī, ed. Nājī Naṣrābādī, M. (Tehran, 1378/1999).Google Scholar
Niʿmatī Līmā’ī, A., Barrasī-i zindigī-i sīyāsī va vākāvī-i kārnāma-yi ʿilmī, farhangī, ijtimāʿī va iqtiṣādī-i Amīr ʿAlīshīr Navā’ī (Mashhad, 1993/2015).Google Scholar
Pfeiffer, J., “‘A turgid history of the Mongol empire in Persia’: Epistemological reflections concerning a critical edition of Vassāf's Tajziyat al-amsār va tazjiyat al-aʿsār”, Theoretical approaches to the transmission and edition of Oriental manuscripts, eds. Pfeiffer, J. and Kropp, M. (Beirut, 2007), pp. 107–29.Google Scholar
Aḥmad Qumī, Qāżi, Gulistān-i hunar, ed. Suhaylī Khwānsārī, A. (Tehran, 1383/2004).Google Scholar
Ritter, H. and Reinert, B., “Die persischen Dichterhandschriften der Fatih-Bibliothek in IstanbulOriens, 2930 (1986).Google Scholar
Robinson, B. W., Fifteenth Century Persian Painting. Problems and issues (New York, 1991).Google Scholar
Robinson, B. W., Grube, E. J., Meredith-Owens, G. M. and Skelton, R. W., Islamic Painting and the Arts of the Book: the Keir Collection (London, 1976).Google Scholar
Rowson, E. K., “al-Rāg̲h̲ib al-Iṣfahānī”, Encyclopaedia of Islam, Second Edition, eds. Bearman, P., Bianquis, Th., Bosworth, C.E., van Donzel, E. and Heinrichs, W.P..Google Scholar
Roxburgh, D. J., “‘Our Works Point to Us’: Album making, collecting, and art (1427–1565) under the Timurids and Safavids”, PhD dissertation (University of Pennsylvania, 1996)Google Scholar
Roxburgh, D. J., “Baysunghur's library: questions related to its chronology and production”, Journal of Social Affairs, 18:72 (2001), pp. 1141.Google Scholar
Roxburgh, D. J., The Persian Album, 1400–1600: from dispersal to collection (New Haven, 2005).Google Scholar
Roxburgh, D. J., “‘Many a wish has turned to dust’: Pir Budaq and the formation of Turkmen arts of the book”, Envisioning Islamic Art and Architecture: essays in honor of Renata Holod (Leiden, Boston, 2014), pp. 175222.Google Scholar
Ṣabā, M. M., Taẕkira-yi Rūz-i Raushan (Kolkata, 1297/1880).Google Scholar
Ṣadīq Ḥasan Khān, M. Ṣ., Shamʿ-i anjuman, ed. Khān, M. ʿA. (Bombay, 1293/1876).Google Scholar
Ṣafā, Ẕ., Tārīkh-i adabīyāt dar Īrān, 4 vols. (Tehran, 1369/1990).Google Scholar
Sām Mīrzā Ṣafavī, A., Taẕkira-yi tuḥfa-yi Sāmī, ed. Dastjirdī, V. (Tehran, 1314/1925).Google Scholar
Shamīlpūr, H., Kūpā, F., Pushtdār, ʿA. M. and Muḥammadī Badr, N., “Barrasī-yi muḥtavā’ī va sabkī-yi nuskha khaṭṭī-yi Ḥulal-i muṭarraz dar mu‘ammā va lughaz”, Sabk-shināsī-yi nażm-u nathr-i Fārsī (Bahār-i Adab), no. 24 (1394/2015), pp. 113128.Google Scholar
Ṣidāqat Ḥusaynī, S. R., “Ḥāfiẓ Saʿd Tabrīzī”, Payām-i Bahāristān, no. 19 (Tehran, 1392/2013), pp. 161178.Google Scholar
Soucek, P. P., “Abdallāh Ṣayrafī”, Encyclopædia Iranica, I (fasc. 2) (London, 1982), pp. 203205.Google Scholar
Subtelny, M. E., “Alī Shīr Navā’ī: Bakhsī and Beg”, Harvard Ukrainian Studies, nos. 3–4 (1979–1980), pp. 797807.Google Scholar
Tarbīyat, M. ʿA., Dānishmandān-i Āẕarbāyjān (Tabriz, n.d.).Google Scholar
Thackston, W. M., Album Prefaces and Other Documents on the History of Calligraphers and Painters (Leiden, Boston, Cologne, 2001), p. 44.Google Scholar
Iṣfahānī, Vālih, Khuld-i Barīn, ed. Muḥaddith, H. (Tehran, 1379/2000).Google Scholar
Yārshāṭir, I., Shiʿr-i Fārsī dar ʿahd-i Shāhrukh (Tehran, 1383/2004).Google Scholar