^{page 587 note 1} The sthāpaka whom Mr. Banerji-Sastri drags in by the hair of his head is quite irrelevant. The Daśarūpaka (iii, 2)Google Scholar tells us that he should not appear until the sūtradhāra has left the stage after the conclusion of the prelude; and his place here is marked in some plays by the stage-direction sthāpanā.

^{page 588 note 1} Mr. Banerji-Sastri has fathered on me a misspelling “Teramāran”, of which I must repudiate the paternity.

^{page 588 note 2} I use the word “North” in a general sense, without prejudice to the distinction into Eastern and Western Schools (JRAS. 1921, p. 425).Google Scholar