^{page 118 note 1} See JBAS., 1931, pp. 349–366; 1932, pp. 99–109, 379–389, 897–904. With slight alterations the articles were republished as An Old Moorish Lute Tutor (Glasgow, 1933)Google Scholar.

^{page 118 note 2} See Mitjana, , “L'Orientalisme musical et la Musique arabe” in Le Monde Oriental (1906), pp. 212–13Google Scholar, and Lavignac's, Encyclopédie de la Musique, iv, p. 1922Google Scholar. Since my text was published further interest has been displayed. See Zeitschrift für vergleichende Musikwissenschaft, 1933, pp. 62–3; Music and Letters, 1933; Orientalistische Literaturzeitung, 1936, Nr. 3; Revue de Musicologie, Fev., 1936.

^{page 18 note 3} This is the title of the Fez lithograph and it agrees with that mentioned by Brockehnann, , Gesch. Arab. Litt., ii, 458Google Scholar; but cf. the title given in the Nashr al-mathānī and Lévi-Provençal's Les historiens des Chorfa. See below.

^{page 118 note 1} See Nord-Sud; La Revue, Illustrée du Maroa (1934), pp. 69–70.

^{page 118 note 2} His grandson, Muḥammad b. al-Ṭaiyib b. ‘Abd al-Salām al-Qādirī (d. 1773) gives a biography of Al-'Alamī in his Nashr al-mathānī, Fez, lith., a.h. 1310, ii, 124.

^{page 118 note 3} I gave a portion of a treatise on music by his brother ‘Abd al-Rahmān (d. 1685) in the JRAS., 1931, pp. 362–6.

⁴ Lévi-Provençl and Alexis Chottin write ‘Aṣāmī.

^{page 119 note 1} Other biographies of Al-'Alamī may be found in René Basset, “Recherches bibliographiques sur les sources de la Salouat el-anfas,” in Recueil de Mémoires et de textes publti en Vhonneur du XI Ve Gongres des Orientalistes, Alger, 1905, p. 39; and Levi-Provencal, , Les Historiens des Chorfa, Paris, 1922, p. 296Google Scholar. For this and other information I have to thank Dr. F. Krenkow.