Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-28T00:30:38.416Z Has data issue: false hasContentIssue false

Three Yoruba Members of the Mbira-Sanza Family

Published online by Cambridge University Press:  07 March 2019

Darius L. Thieme*
Affiliation:
Washington
Get access

Extract

The purpose of this paper is twofold. First, I intend to discuss organological data relating to three Yoruba members of the mbira-sansa family. I hope to show organological relationships and a possible line of derivation among these Nigerian instruments, and relationships between them and their relatives in Nigeria and in other African culture areas. In this way, I hope to add to the overall picture of the migration and distribution of the mbira family in Africa generally. Second, I want to speak about playing techniques. Here I will attempt to show some interrelationships in playing styles and some possible lines of derivation of present-day techniques.

Type
The Migration of Folk Music
Copyright
Copyright © International Council for Traditional Music 1967

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Blacking, John, 1961. “Patterns of Nsenga kalimba Music,” African Music, II, No. 4, pp. 2627.Google Scholar
Gunther, Robert, 1964. Musik in Rwanda, Tervuren, Musée Royal de l'Afrique Centrale, Annales. Ser. in 8°, Sciences humaines, No. 50, pp. 35-7, note 11, p. 107, and pl. 10.Google Scholar
Jones, A. M., 1950. “The kalimba of the Lala tribe, Northern Rhodesia,” Africa, XX, No. 4 (October, 1950), pp. 324-27.Google Scholar
Kirby, Percival, 1953. The musical instruments of the native races of South Africa. Johannesburg, Witwatersrand University Press (1934, reprinted 1953), PP. 68-69 and pl. 23.Google Scholar
Laurenty, J. S., 1961. Les sansas du Congo. Tervuren, Musée Royal de l'Afrique Centrale. Annales. Ser. in 4°. Sciences humaines, 3.Google Scholar
Marfurt, Luitfrid, 1957. Musik in Afrika. München, pp. 11, 18-19.Google Scholar
Masson, P., 1958. “Armes, utils et instruments de musique employés par les Shi,” Kongo-Overzee XXIV, No. 4-5, pp. 254–55.Google Scholar
Merriam, Alan P., 1955. “Musical instruments and techniques of performance among the Bashi,” Zaire IX (February, 1955), pp. 129-30.Google Scholar
Tracey, Andrew, 1961. “ Mbira music of Jege A. Tapera,” African Music, II, No. 4, p. 46.Google Scholar
Tracey, Hugh, 1961. “A case for the name mbira ,” African Music, II, No. 4, pp. 1725.Google Scholar
Trowell, Margaret and Wachsmann, Klaus P., 1953. Tribal crafts of Uganda, London, Oxford University Press, pp. 327-28, 337.Google Scholar
Weman, Henry, 1960. African music and the church in Africa, Uppsala, Svenska Institutet for Missionsforskning, pp. 3839.Google Scholar
Young, Robert W., 1952. A table relating frequency to cents, Elkhart, Indiana.Google Scholar