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Oriental Elements in the Folk Dance and Folk Dance Music of Greek Macedonia

Published online by Cambridge University Press:  07 March 2019

Felix Hoerburger*
Affiliation:
Institut für Musikforschung, Regensburg
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Extract

Before speaking of “oriental elements,” I must first of all make two qualifying statements in order not to be misunderstood. First, the musicologist, when hearing the expression “oriental music,” thinks of the art music of the Near East; but here I am speaking especially of folk music coming from the East to Greece. Secondly, I shall not speak about “the” elements in general, that is, I cannot give a complete list of existing oriental elements. I only intend to mention some phenomena which I have had the possibility of observing myself, and which, I suppose, are not very generally known.

Type
Multi-Part Techniques in Folk Music and Dance
Copyright
Copyright © International Council for Traditional Music 1967

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References

Notes

page 73 note * At this point recordings of the shawm and drum were played to emphasize the contrast between their use in the Eastern music (Moustampeiko) and in the new-fangled Western dance (ED.).

page 74 note * At this point a recording was played.

1. Reinhard, K., Türkische Musik, Berlin, 1962, p. 59.Google Scholar

2. And, Metin, Turk Köylii Danslari, 1964, p. 27 and 52.Google Scholar

3. Coichton, R., “The Zeibekiko and further notes on Greek dancing,” Ballet and Opera (London), Vol. 7, 1949, p. 22.Google Scholar

4. Some of these dances are mentioned in Th. and Petrides, E., Folk Dances of the Greeks, New York, 1961.Google Scholar

5. Reinhard, K., in Journal of the International Folk Music Council, Vol. XIII, 1961, p . 19.CrossRefGoogle Scholar

6. The Greek word “Rebetikos” means anti-social, lazy, and is also used for the modern popular song of Greece, accompanied by Buzuki (a kind of lute).

7. See And, Metin, op. cit., passim.

8. Beauchamp, H., “Walking through Fire,” Madras Government Museum Bulletin, Vol. IV, 1901, No. 1, p. 55.Google Scholar

9. For more detailed observations on all these dances, see Hoerburger, F., “Beobachtungen zum Volkstanz in Nordgriechenland,” Zeitschrift für Volkskunde, 62, 1966, pp. 4366.Google Scholar

10. Hoerburger, F., Der Tanz mit der Trommel, Regensburg, 1954.Google Scholar

11. Picken, L., “Instrumental Polyphonic Folk Music in Asia Minor,” Extracts from the Proceedings of the Royal Musical Association, 80th session, 1953-54, P. 73.CrossRefGoogle Scholar

12. Reinhard, K., “Musik am Schwarzen Meer,” Jahrbuch für musikalische Volks- und Völkerkunde, II, 1966, pp. 5152 (n. 14).Google Scholar