Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-28T04:13:23.260Z Has data issue: false hasContentIssue false

Methods of Classification of Folk-Tunes*

Published online by Cambridge University Press:  07 March 2019

Get access

Extract

To the constituent elements of every scientific discipline belongs the elaboration of a system of documentation (as a method of gathering data) and of sorting and classifying these data so as to elaborate the essential methodical and theoretical postulates for marking the history, genesis and evolution of specific phenomena on which research is undertaken. The problem of documentation (recording, collecting, transcribing, measuring) has since the beginning of this century become for ethnomusicology a constant methodological question. Parallel with this emerge the first attempts to elaborate systems of the musical classification of melodies, the problem initiated by the editors of Sammelbände der internationalen Musikgesellschaft in 1902, which was directed not only to the classification of folk music material. The problem of classification was partly connected with the documentary work of cataloguing, and partly with the theoretical scientific area, coming before the need to penetrate into the inner organism of the melodies to be classified.

Type
Systematization
Copyright
Copyright © International Council for Traditional Music 1966

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

This paper was submitted to the 17th Annual Conference of the I.F.M.C. at Budapest in August, 1964, but was neither read nor published in the proceedings of the Conference.

References

Arlt, G. O., 1929, “Lexicographic Indexing of Folk Melodies,” in Modern Philology, Vol. XXVII, p. 147 ff.Google Scholar
Barlow, H., Morgenstern, S., 1949, A Dictionary of Musical Themes, New York.Google Scholar
Bartók, B., , 1913, Căntece popolare româneşti din Comitatul Bihor (Chansons populaires roumaines du Department Bihar), Bukarest.Google Scholar
Bartók, B., 1924, A magyar népdal., Budapest.Google Scholar
Bartók, B., 1959, Slovenské l'udové piesne, vol. I, Bratislava.Google Scholar
Bartók, B., and Lord, A. B., 1951, Serbo-Croatian Folk Songs, New York.Google Scholar
Bartók, B., and Kodály, Z., 1955, 1956, A magyar népzene tára, vols. IIIA, IIIB, Budapest.Google Scholar
Bose, Fr., 1934, “Die Musik der Uitoto,” in Zeitschr. f. vergl. Mw., vol. 2, p. 1 ff.Google Scholar
Brailoiu, C., 1952, Le rhytme aksak, Abbeville.Google Scholar
Brandsch, G., 1914, “Noch ein Vorschlag zur lexicalischer Ordnung von Volksmelodien,” in Ztschr. des Vereins f. Volkskunde, vol. XXIV, p. 196 ff.Google Scholar
Bronson, B., 1949, “Mechanical Help in the Study of Folk Songs,” in Journ. of American Folklore, vol. 62, p. 81 ff.Google Scholar
Bronson, B., 1959, “Toward the Comparative Analysis of British American Folk Tunes,” in Journ. of American Folklore, vol. 72, p. 165 ff.Google Scholar
Chybinski, A., 1907, “O metodach zbierania i porzadkowania melodii ludowych,” in Lud, vol. XIII, p. 171 ff.Google Scholar
Das deutsche Volksliedarchiv, publ. Freiburg (w.d. 1956).Google Scholar
Deutsch, W., 1958, “Erfahrungen bei der Anlage eines Melodien-Registers,” in Jahrbuch d. Österreichischen Volksliedwerkes, vol. 7, p. 52 ff.Google Scholar
Elscheková, A., 1960, “Stilschichten der slowakischen Volksmusik,” in Deutsches Jahrbuch für Volkskunde, vol. VI, p. 353 ff.Google Scholar
Elscheková, A., 1963a, “Náčrt a zásady systému analýzy a triedenia slovenských l'udovýcch melódii” (Grundriss des Systems der Analyse und Systematisierung slowakischer Volksmelodien), in Slovenský Národopis, vol. XI, p. 43 ff.Google Scholar
Elscheková, A., 1963b, Základná etnomuzikologická analýza (Essential ethnomusicological analysis), in Hudobnovedné študie, vol. VI, p. 117 ff.Google Scholar
Elschek, A., and O., 1962, “Úvod do štúdia slovenskej I'udovej hudby, Bratislava.Google Scholar
Heinitz, W., 1921, “Eine lexikalische Ordnung für die vergleichende Betrachtung von Melodien,” Archiv f. Mw., vol. III, p. 247 ff.Google Scholar
Helfert, VI., 1936, Rejštrik nápěvů, to Janáček, L.-Váša, P., Moravské pisně milostné, vol. VI, Praha.Google Scholar
Hiller, L. A., 1959, Experimental Music, New York.Google Scholar
Hostinský, O., 1906, Česká světská pisen lidová, Praha.Google Scholar
Járdányi, P., 1961, Magyar népdaltipusok, vol. I—II, Budapest.Google Scholar
Járdányi, P., 1961, “A magyar népdalok rendje,” A magyar tudományos akadémia Nyelv- és irodalomtudományi osztályának Közleményei, vol. XVII, p. 139 ff.Google Scholar
Klier, K., 1956, “Entwurf zur Anlage eines Melodien—Registers,” Zentralarchiv des österr. V olksliedwerkes. Google Scholar
Kolessa, F., 1923, Narodni pisni z pivdennogo Pidkarpatja, Užgorod.Google Scholar
Kolessa, F., 1929, Narodni pisni z galickoj Lemkivščini, Lvov.Google Scholar
Koller, O., 1902-03, “Die beste Methode Volks- und volksmassige Lieder nach ihrer melodischen Beschaffenheit lexikalisch zu ordnen,” in Sammelb. d. internat. Musikgesellschaft, vol. IV, p. 1 ff.Google Scholar
Kresánek, J., 1951, Slovenská I'udová piesen zo stanoviska hudobného, Bratislava.Google Scholar
Krohn, I., 1902-03, “Welche ist die beste Methode um Volks- und volksmässige Lieder nach ihrer melodischen (nicht textlichen) Beschaffenheit lexikalisch zu ordnen?” in Sammelb. d. internat. Musikgesellschaft, vol. IV, p. 643 ff.Google Scholar
Krohn, I., 1943, “Zur Methode der vergleichenden Volkshedforschung,” in Emlékkönyv Kodály Zoltán 60 sz., p. 97 ff.Google Scholar
Lajtha, L., 1956, Sopron megyei virrasztó énekek, Budapest.Google Scholar
List, G., 1963, “An approach to the indexing of ballad tunes,” in The Folklore and Folk Music Archivist, vol. VI, No. 1, p 7 ff.Google Scholar
Merriam, A. P., and Freeman, L. C., 1956, “Statistical classification in Anthropology : an application in Ethnomusicology,” in American Anthropologist, vol. 58, p. 464 ff.Google Scholar
Mersmann, H., 1923-24, “Grundlagen einer musikalischen Volkshedforschung,” in Archiv f. Musikwissenschaft, vol. IV-VI. (Leipzig, 1930, 2nd ed.)Google Scholar
Rieger, A., 1956, “Zagadnienie leksykalnego indeksovania melodii ludowych,” in Lud, vol. XLII, p. 554 ff.Google Scholar
Stanislav, J., 1954, “Ke studiu variačního procesu v lidové písni,” in Hudebni rozhledy, vol. VII, p. 465 ff.Google Scholar
Stoin, V., 1931, Narodni pesni ot sredna-severna Balgaria, Sofia.Google Scholar
Väisänen, A. O., 1937, Wogulische und ostjakische Melodien, Helsinki.Google Scholar
Väisänen, A. O., 1939, Untersuchungen über die ob-ugrischen Melodien, Helsinki.Google Scholar
Väisänen, A. O., 1948, Mordwinische Melodien, Helsinki.Google Scholar
Vetterl, K.-Gelnar, J., 1961, “K otázkam pisňové katalogizace nápěvů,” in Zprávy Společnosti československých národopisců a Slovenské národopisné spoločnosti, Nos. 1-2, p. 13 ff.Google Scholar
Wertheimer, I., 1948, Magyar népdalelemzés, Budapest.Google Scholar
Wiora, W., 1952, Europäischer Volksgesang, Köln.Google Scholar
Žganec, V., 1950, Narodne popijevke Hrvatskog Zagorja, vol. I, Zagreb.Google Scholar