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Dreams of a Democratic Culture: Revising the Origins of the Great Books Idea, 1869-19211
Published online by Cambridge University Press: 08 November 2010
Extract
British and American intellectuals began to formulate ideas about so-called great books from the mid-1800s to 1920. English critic Matthew Arnold's writings served as the fountainhead of ideas about the “best” books. But rather than simply buttress the opinions of highbrow cultural elites, he also inspired those with dreams of a democratized culture. From Arnold and from efforts such as Sir John Lubbock's “100 Best Books,” the pursuit of the “best” in books spread in both Victorian Britain and the United States. The phrase “great books” gained currency in the midst of profound technical, cultural, educational, and philosophical changes. Victorian-era literature professors in America rooted the idea in both education and popular culture through their encouragements to read. Finally, the idea explicitly took hold on college campuses, first with Charles Mills Gayley at the University of California at Berkeley and then John Erskine's General Honors seminar at Columbia University.
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- Essays
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- The Journal of the Gilded Age and Progressive Era , Volume 7 , Issue 4 , October 2008 , pp. 397 - 441
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- Copyright © Society for Historians of the Gilded Age and Progressive Era 2008
References
2 The Erskine-General Honors story has been told in works such as Allen, James Sloan, The Romance of Commerce and Culture (Chicago, 1983)Google Scholar;Graff, Gerald, Professing Literature (Chicago, 1987)Google Scholar;Levine, Lawrence, The Opening of the American Mind (Boston, 1996)Google Scholar;Rubin, Joan Shelley, The Making of Middlebrow Culture (Chapel Hill, 1992)Google Scholar.
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8 I concede that men of letters formed the “elites” of the American Victorian era but refuse to negatively generalize them as “elitists.” The former acknowledges a factual lack of inclusiveness in their communities of discourse, but the latter often implies-to me at least—a malicious intent to exclude. Just as the term “condescension” meant something different in the eighteenth century than it does today, there is a difference between living within one's genteel station of life and actively seeking to exclude others from that station.
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10 Etymology and genealogy are important to this study. I concede that portions of this essay utilize an “internalist” methodology in the tradition of historian/philosopher Arthur Lovejoy. Sometimes the great books idea has clear connections to the environment (i.e., coping with increased numbers of books), and sometimes not (i.e., higher-education variations). In this study, fewer environmental connections occur. For more on these historiographic and methodological issues, see Conkin, Paul and Higham, John, eds., New Directions in American Intellectual History (Baltimore, 1979)Google Scholar;Higham, John A., “Intellectual History and Its Neighbors,” journal of the History of Ideas 15 (June 1954): 339–47CrossRefGoogle Scholar;Lovejoy, Arthur O., “Reflections on the History of Ideas,” Journal of the History of Ideas 1 (1940): 3–23CrossRefGoogle Scholar.
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13 Several scholars emphasize that these literary commodities, including the great books, functioned as reactions to modernity's moral rootlessness and the fragmenting of the Victorian era's moral consensus, the breakdown of “mental discipline” as the education philosophy, and the advent of modern aesthetic sensibilities. Works emphasizing these factors include:May, Henry F., The End of American Innocence (1959; New York, 1979)Google Scholar; Rubin, Making of Middlebrow Culture;Satterfield, Jay, “The World's Best Books”: Taste, Culture, and the Modern Library (Amherst, MA, 2002)Google Scholar;Sheets, Kevin, “Antiquity Bound: The Loeb Classical Library as Middlebrow Culture in the Early Twentieth Century,” journal of the Gilded Age and Progressive Era 4 (Apr. 2005): 149–71CrossRefGoogle Scholar. On the great books, I see these works underestimating two factors: (1) democratizing culture and (2) the increased quantity of books being published.
14 I have found that most academic literature using the phrase “democratic culture” leans toward politics rather than culture. Works with this leaning include Zaret, David, Origins of a Democratic Culture: Printing, Petitions, and the Public Sphere of Early-Modern England (Princeton, 1999)Google Scholar; and Diamond, Larry, ed., Political Culture and Democracy in Developing Countries (Boulder, CO, 1993)Google Scholar.
15 Kammen, Michael, American Culture, American Tastes: Social Change in the Twentieth Century (New York, 1999)Google Scholar, contains an excellent discussion of the cultural forms considered by historians.
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17 I favor “democratic culture” over “common culture” because I see the former as a subset of the latter. And democratic culture contains a political element. Since the great books idea becomes politicized later, I can use “democratic culture” with the ends in sight. My thinking about the notion of “citizenship” in U.S. history is informed by Kerber, Linda K., “The Meanings of Citizenship,” journal of American History 84 (Dec. 1997): 833–54CrossRefGoogle Scholar.
18 Many factors complicate understanding of the democratization of culture. Some forms of cultural democratization occur unconsciously. Examples include the growth in popularity of amusement parks, dance, film, or music. Other cultural forms, such as literature and education, have been more consciously democratized. Active historical agents made these cultural forms accessible to the masses. Historians such as Allen, James Sloan, The Romance of Commerce and Culture: Capitalism, Modernism, and the Chicago-Aspen Crusade for Cultural Reform (Chicago, 1983)Google Scholar;Cremin, Lawrence, American Education: The Metropolitan Experience (New York, 1988)Google Scholar; and Rubin, Making of Middlebrow Culture, have documented these efforts—even if they have not always characterized them as democratization. The great books fall under this latter category of “conscious democratization.” Also of concern are the origins and perpetuation of democratic cultural forms. Are these forms less democratic, less of the people, if they originate in a small community of intellectual elites? Are they less democratic, or of the folk, if they have been actively popularized? Was the great books idea cheapened by its popularizers in the twentieth century?
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29 “Matthew Arnold: A Brief Sketch,” xiii. WASPiness seems implicit in the Genteel, Highbrow, and Middlebrow traditions.
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35 Ibid., 5. The work of a few recent historians runs contrary to, or at least complicates, the Levine-Rubin view of Arnold.Radway, Janice, A Feeling for Books (Chapel Hill, 1997), 382n48Google Scholar, acknowledges that America's “ideology of democratic individualism…warranted the extension of Arnold's [educational and cultural] project,” even if the same project contained “innumerable problems.”Pratt, Linda Ray, Matthew Arnold Revisited (New York, 2000), 3-4, 16Google Scholar, contends that “Arnold…was safest in modern times when his definition of culture could be eased, incorrectly, into a defense of elite culture…The ideological upheavals of the recent ‘culture wars’…created an Arnold who could be either dismissed as a stereotype or valorized as the eloquent proponent of culture at risk.” She conceded that “the actual degree of equality of classes Arnold supported was not always clear,” as he feared an “Americanized” democracy “dominated by the will of the individual.” Arnold otherwise hoped that a “democratic state in which all the classes were invested, all participated, and the best of each class could contribute to the unity of the whole…would become the powerful state.”
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54 Ibid., 5-15. Paragraphs of elaboration separate these quotes in these pages.
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61 Ibid., 13-15, 17.
62 Ibid., ch. 1.
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80 For more on cinema's role in these changes, see May, Screening Out the Past.
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85 See note 77, as well as Sheets, “Antiquity Bound.”
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97 Ibid., 182,186-283. Graff, in Professing Literature, made no connections between Erskine, Woodberry, and Gayley.
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106 Burduck, “Woodberry.”
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114 Ibid, 18-19.
115 Ibid., 21-23.
116 Ibid., 30.
117 , Erskine, My Life As A Teacher, 166–67Google Scholar;, Erskine, Memory of Certain Persons, 342Google Scholar
118 , Erskine, Memory of Certain Persons, 343Google Scholar.
119 Ibid.
120 , Rubin, Making of Middlebrow Culture, 161–64Google Scholar;, Erskine, My Life As A Teacher, 129-30, 140, 153–161Google Scholar. After the war, Erskine argued in a published report to General John J. Pershing for a form of national training based on his time in Beaune. Passages of the report echo in part the civic impulse of other figures in the history of the great books idea.
121 , Erskine, Memory of Certain Persons, 341Google Scholar.
122 Ibid.;, Erskine, My Life As A Teacher, 165–68Google Scholar. Erskine seems to have first used the phrase “great books” publicly, at least twice, in “English in the College Course,”Education Review, Nov. 1910, 340–47Google Scholar.
123 Reynolds, Katherine Chaddock, “A Canon of Democratic Intent: Reinterpreting the Roots of the Great Books Movement,” History of Higher Education Annual 22 (2002): 10Google Scholar.
124 , Adler, Philosopher at Large, 55–56Google Scholar;Doren, Mark Van, Autobiography of Mark Van Doren, 131Google Scholar.
125 , Adler, Philosopher at Large, 56Google Scholar.
126 For more on the expansion of general education, see General Education in a Free Society: Report of the Harvard Committee (Cambridge, MA, 1945)Google Scholar;A History of Columbia College on Morningside (New York, 1954)Google Scholar;Bell, Daniel, The Reforming of General Education: The Columbia College Experience in Its National Setting (New York, 1966)Google Scholar; and Cremin, American Education.
127 , Arnold, Culture and Anarchy, 33, 48Google Scholar.
page 438 note * James, Henry, Charles W. Eliot: President of Harvard University; 1869-1909, Vol. II (1930; Boston, 1973), 357–58Google Scholar.
page 440 note * Adler, Mortimer J., Philosopher at Large: An Intellectual Biography, 1902-1976 (New York, 1977), 60Google Scholar.
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