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Creating modern women: The kitchen in postcolonial Singapore, 1960–90

Published online by Cambridge University Press:  04 November 2020

Abstract

This article examines the modern kitchen as a technological artefact and a mechanism through which the postcolonial Singaporean state and agents of household consumerism such as advertisers, retailers, home economists, and social scientists constructed the image of a modern Singaporean woman. By revealing how the female consumer-cum-homemaker became a symbol of material success and middle-class status in Fordist Singapore, the article highlights two types of domestication: the subordination of women to the patriarchal imperatives of family and nation, and the transformation of hard successes in the economy into soft comforts in the kitchen. This article suggests that although the state had narrowed the gap between popular expectations for improved living standards and its ability to fulfil them, it also unwittingly enmeshed definitions of femininity, womanhood, and female citizenship in a series of contradictions and tensions that had implications for contemporary Singaporean society.

Type
Research Article
Copyright
Copyright © The National University of Singapore, 2020

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References

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128 Ibid., p. 5.

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131 Ibid., p. 9.

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133 This was different from the situation on both sides of the Iron Curtain, where consumption was gendered as a ‘feminine’ issue in efforts by Western states to ‘negotiate its relations with the people over the crucial territory of living standards’. See Reid, ‘Cold War in the kitchen’, p. 252.