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A New Edition of the Marble Plan of Ancient Rome
Published online by Cambridge University Press: 24 September 2012
Extract
Few monuments of Ancient Rome can command more interest and fascination than the Marble Plan of the city of Rome. Early in the third century this colossal map was put up in panels on the wall of a building in the Forum Pacis at the behest of the Emperor Septimius Severus or his Praefectus Urbi. It is a unique document not only because no other plan of a major Roman city survives, but also because the city which it depicts is Rome, at the height of her development as the capital of the world. Although only a fraction of the Plan has come down to us, these fragments are invaluable for our knowledge of individual buildings as well as of the city as a whole; hence its appeal to students of architecture and urbanistics, of archaeology and history.
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- Copyright © Herbert Bloch 1961. Exclusive Licence to Publish: The Society for the Promotion of Roman Studies
References
1 In this context especially valuable: Boëthius, A., The Golden House of Nero (Jerome Lectures v) (Ann Arbor, Mich., 1960), 137–140, 143–5, 155–165.Google Scholar
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3 Carettoni, G., Colini, A. M., Cozza, L., Gatti, G., La Pianta Marmorea di Roma Antica — Forma Urbis Romae. Rome: X Ripartizione del Comune di Roma, 1960. Vols. I, II: pp. 265 + 76 figs. + pls. A–RGoogle Scholar; pp. 6 + 62 plates, fol. Lire 40,000.
4 Fragmenta vestigii veteris Romae ex lapidibus Farnesianis nunc primum in lucem edita cum notis (Rome, 1673). Cf. in general Carettoni's bibliography, pp. 17–22.
5 For the ‘secret garden’ cf. Colini, pp. 26–8, and Tav. C, fig. 13.
6 They are now housed in the Farnesina dei Baullari.
7 ‘“Saepta Julia” e “Porticus Aemilia” nella “forma” severiana,’ Bull. com. LXII (1934), 123–149.
8 ‘I Saepta Julia nel Campo Marzio,’ L'Urbe II (1937), no 9, 2–17; Rend. Pont. Acc. Arch. XX (1943–4), 153.
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18 Gatti, pp. 199–200.
19 No. 41a-c (Jordan 68; 67; 78) = Tav. XXXII, combined by Cozza (p. 107) to read MA(usoleum)/HA(driani). The restoration seems assured. Whether or not the monument itself was on the Plan is uncertain.
20 By Gatti's son Edoardo. Very valuable also the observations on the inscriptions by Colini and Cozza (pp. 165–172); the epigraphical and typological indices by R. A. Staccioli; the thorough analysis of the signs used in the Plan by G. Cressedi (pp. 201–6); and the detailed index of fragments by Emilia Levi.
21 Storia e Topografia del Celio nell' antichità, Mem. Pont. Acc. Arch. VII (1944), 138 ff., fig. 95.
22 Pointed out by Carettoni, p. 78. Lugli, , Fontes ad Topographiam veteris Romae pertinentes VIII, 1 (Rome, 1960), 18Google Scholar, no. 127, has accepted the editors' view; for his earlier doubts cf. Roma antica: Il centro monumentale (Rome, 1946), 73.
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28 Gatti, p. 101.
29 ‘Un sottopassaggio archeologico,’ Capitolium XXXI (1956), 129–140, esp. 133.
30 Colini, p. 105; Gatti, p. 230.
31 ‘Dove erano situati il Teatro di Balbo e il Circo Flaminio?,’ Capitolium XXXV (1960), no. 7, 3–12: ‘Ancora sulla vera posizione del Teatro di Balbo e del Circo Flaminio,’ Palatino v (1961), nos. 1–2.
32 Gatti, p. 228; Colini, p. 106.
33 In addition to the handbooks, cf. especially the monograph by Marchetti Longhi, G., ‘Circus Flaminius,’ Mem. Acc. Naz. Lincei (Classe Scienze Morali) XVI (1922), 621–770.Google Scholar
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