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The life and afterlife of Constantine’s Column
Published online by Cambridge University Press: 27 November 2014
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References
1 Janin, R., Constantinople byzantine (Paris 1950), 67-69 and 81–84 Google Scholar; Wiener, W. Müller, Bildlexikon zur Topographie Istanbuls (Tübingen 1977) 255–57Google Scholar, with prior bibliography; Mango, C., “Constantinopolitana,” JdI 80 (1965) 305–13Google Scholar; id., “Constantine’s Porphyry Column and the Chapel of St. Constantine,” Deltion tes Christianikes Archaiologikes Etaireias 10 (1981) 103-10; id., “Constantine's Column,” in id., Studies on Constantinople (Aldershot 1993) Study II; Dagron, G., Naissance d’une capitale: Constantinople et ses institutions de 330 à 451 (Paris 1984) especially 37–42 Google Scholar; Karamouzi, M., “Das Forum und die Säule Constantini in Konstantinopel: Gegebenheiten und Probleme,” Balkan Studies 27 (1986) 219–36Google Scholar; Bauer, F. A., Stadt, Platz und Denkmal in der Spätantike (Mainz 1996) 173–77Google Scholar; Bassett, S., The urban image of late antique Constantinople (Cambridge 2004) especially 192–204 Google Scholar; Bardill, J., Constantine: divine emperor of the Christian golden age (Cambridge 2012) especially 28–63 Google Scholar. Note also Barnes, T. D., Constantine: dynasty, religion and power in the Later Roman Empire (Chichester 2011) especially 107–43Google Scholar, whose radical revision of the prehistory of Constantinople is beyond the scope of this essay.
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4 Proc., Aed. 1.2.1-11 (transl. Dewing, Loeb vol. 7, 32-37).
5 Trinity College Library, ms 0.17.2, fol. 1; Mango 1965 (supra n.1) 305-13 and fig. 1.
6 As recounted by Mamboury, E., “Le Forum de Constantin, la chapelle de St. Constantin, et les mystères de la Colonne Brulée,” Πε1 πραγμένα το ῦ Θ´Διεθωο1 ῦς Βυζ. Συνεδρίο υ (Athens 1955) vol. I, 275–80Google Scholar. Note also d’Alessio, E. Dalleggio, “Les fouilles archéologiques à la colonne de Constantin à Constantinople,” Echos d'Orient 159 (1930) 339–41Google Scholar; Mamboury, E., “Les fouilles byzantines à Istanbul,” Byzantion 11 (1936) 266 Google Scholar; Mango 1981 (supra n.1) 103-10. A photograph of the excavation appears (improperly identified) in Stamatopoulos, C. M., Constantinople through the lens of Achilles Samandji and Eugene Dalleggio (Turin 2009) 150 Google Scholar.
7 For Eusebius's description and a summary of the scholarship, see Cameron, Averil and Hall, S. (edd.), Eusebius. Life of Constantine (Oxford 1999) III, 1–7 Google Scholar: “the Emperor used these very toys [i.e., pagan statues] for the laughter and amusement of the spectator'; 143-44, with commentary on 301-3; note also Bassett (supra n.1) 48-49. Note also comments by Barnes (supra n.1) 24-25, who views the statue as “neither noteworthy nor problematical for Christians”.
8 Bassett (supra n.1) pp. 192-204 includes most references; see also Dagron 1984 (supra n.1) 39-42; Karamouzi (supra n.1) 222-23; and Bralewski, S., “The Porphyry Column of Constantine and the Relics of the True Cross,” Studia Ceranea 1 (2011) 87–100 CrossRefGoogle Scholar.
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10 Hesychios of Miletos, Patria Konstantinopoleos 41 (Bassett [supra n.1] 192).
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16 Ibid., translates the term stele as statue. The text refers to the items concealed “κάτωθεν τῆςμεγάλης στήλης”. Following Constantine of Rhodes, ll. 75-79, it more likely indicates the column proper.
17 Berger, A. (ed.), Accounts of medieval Constantinople: the Patria (Cambridge, MA 2013) 78–81 Google Scholar.
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24 I have no idea what her point here might have been, except possibly to discredit a false omen against her father Alexios.
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37 Ensoli, S., “I colossi di bronzo a Roma in età tardoantica: dal Colosso di Nerone al Colosso di Costantino. A proposito dei tre frammenti bronzei dei Musei Capitolini,” in ead. and Rocca, E. La (edd.), Aurea Roma. Dalla città pagana alla città cristiana (Rome 2001) 66–90 Google Scholar; Platner–Ashby 130-31; see also http://romereborn.frischerconsulting.com (viewed Feb. 9, 2014). Smith, R. R. R., Hellenistic ruler portraits (Oxford 1988)Google Scholar.
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39 Bassett (supra n.1) 201-4 and fig. 21; Bardill (supra n.1) 28-125 and fig. 86.
40 Kantorowicz, E., “Gods in uniform,” ProcAmPhilosSoc 105 (1961) 368–93Google Scholar.
41 Mango 1993 (supra n.1) 2-4.
42 Bassett (supra n.1) 203.
43 Bardill (supra n.1) 28-34, and figs. 17-19; see also http://www.byzantium1200.com/forum-c.html (viewed Feb. 9, 2014).
44 Bassett (supra n.1) 203. Barnes (supra n.1) 24-25 also supports nudity, but views this as representing Constantine as a “traditional Roman emperor”.
45 I thank C. B. Rose for this suggestion.
46 Bassett (supra n.1) 203, following R. R. R. Smith.
47 See most recently Bardill (supra n.1) 84-104.
48 Ibid. figs. 83 and 86.
49 Marlowe, E., “Framing the sun: the Arch of Constantine and the Roman cityscape,” ArtB 88 (2006) 223–42Google Scholar.
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51 Bardill (supra n.1) 203-17, with prior bibliography.
52 Ensoli (supra n.37) 71-81.
53 Marlowe (supra n.49) especially 226.
54 Mango 1993 (supra n.1) 1-2.
55 Janin (supra n.33) 81-84.
56 Compare to Bardill (supra n.1) figs. 17-18, and http://www.byzantium1200.com/forum-c.html.
57 I thank T. Öner for his comments on this matter.
58 Alexiad. 12.4.
59 Euseb. 1.43.3; transl. Cameron and Hall (supra n.7) 87; for Constantine’s luminosity, see Bardill (supra n.1) especially 101-4.
60 The via triumphalis actually approaches from the southwest, but the statue must have been turned slightly to relate it to the Forum Romanum, to the north.
61 Manuel’s inscription begins on the W side, so this direction must have been significant for the Column.
62 Mango 1981 (supra n.1) 109.
63 Philostorgius, Hist. Eccl. 2.17 (ed. Bidez, Sources chrétiennes 564 [2013]).
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67 Mango 1981 (supra n.1) fig. 1, for possible reconstruction.
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72 See Mango (supra n.68) 74 with figs. 15-16 and 19 (Cod. Vat. Gr. 1631, pp. 13, 371); note the recent facsimile of the manuscript: El “Menologio de Basilio II”, emperador de Bizancio (Vat. gr. 1613) (Madrid 2005)Google Scholar, and the associated commentary, D'Aiuto, F. (ed.), El “Menologio de Basilio II”, Città del Vaticano, Biblioteca Apostolica Vaticana, Vat. Gr. 1613. Libro de Estudios con ocasión de la edición facsímil (Vatican City 2008)Google Scholar. From the paginated manuscript see especially pp. 13 and 371; also, p. 125 depicts St. Cornelius destroying a temple, with statues falling from their columns. My illustrations are taken from the older edition, Il Menologio di Basilio II (cod. vaticano greco 1613) (Turin 1907)Google Scholar.
73 dell’Acqua, F., “The fall of the idol on the frame of the Genoa Mandylion: a narrative on/of borders,” in Crostini, B. and Porta, S. La (edd.), Negotiating co-existence: communities, cultures, and convivencia in Byzantine society (Trier 2013) 143–67 and fig. 2Google Scholar.
74 The only exceptions I know are the Tetrarchic monument in the Roman Forum and the Jupiter Column from Maastricht, both Western examples; for the former, see Bardill (supra n.1) fig. 64.
75 Mango (supra n.68) 74.
76 Delehaye, H., Les saints stylites (Brussels 1923)Google Scholar; for a common image, see Menologio p. 2.
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78 Theodoret, , Hist. Relig. 2.27–28 Google Scholar; Canivet, P. and Leroy-Molinghen, A. (ed.), Théodoret de Cyr: l’histoire des moines de Syrie (Sources chrétiennes 257 [1977])Google Scholar.
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81 Delehaye (supra n.76) 148-69; Menologio p. 208. My thanks N. Marinides for bringing the text to my attention.
82 Mango, C., “A memorial to the emperor Maurice?” Deltion tes Christianikes Archaiologikes Etaireias 42 (2011) 15–20 Google Scholar.
83 Baldovin (supra n.2) 212, 292-300.
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86 Book of Ceremonies, Birth of the Virgin: I.1, pp. 28-30; Annunciation: I.1, p. 33 and I.30, pp. 164-66.
87 Ševčenko (supra n.85).
88 Ibid.; Mateos, Typicon I passim; John Baldovin (supra n.2) 292-300.
89 As Ševčenko emphasizes; see Baldovin ibid. 220-25.
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91 See also McCormick, M., Eternal victory: triumphal rulership in late antiquity, Byzantium, and the Early Medieval West (New York 1986) 161–65Google Scholar.
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99 See Lafontaine-Dosogne, J., “Iconography of the cycle of the infancy of Christ,” in Underwood, P. A. (ed.), The Kariye Djami vol. 4 (1975) 226–29Google Scholar.
100 The story apparently originated in oriental paraphrases of the Gospel story in the Syrian tradition; it was incorporated into strophe 12 of the Akathistos Hymn; see Lafontaine-Dosogne ibid. 228.
101 Underwood (supra n.99) vol. 1 (1966) 97-98; vol. 2 (1966) pls. 182-83.
102 Lafontaine-Dosogne (supra n.99) 229 with figs. 53b and 56.
103 Cf., e.g., Menologio p. 274.
104 Such as episodes from the vitae of Saints Cornelius and Nicholas; for the former, see Menologio p. 125; for the latter, see Ševčenko, N. P., The life of St Nicholas in Byzantine art (Bari 1983)Google Scholar.
105 Cutler, A., Transfigurations: studies in the dynamics of Byzantine iconography (University Park, PA 1975) 111–41Google Scholar; R. Ousterhout, “The Virgin of the Chora: an image and its contexts,” in id. and L. Brubaker (edd.), The sacred image East and West (Urbana, IL 1995) 91-108, with additional bibliography.
106 Pseudo-Codinus 195.
107 Bassett (supra n.1) especially 17-36.
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