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Published online by Cambridge University Press: 11 November 2008
Criticism of African creative works by both African and western scholars has become a major intellectual activity. Many articles have been published on African writers and their works, and, in recent years, several journals have appeared which are devoted exclusively to the discussion of African literature. This surge of interest is further reflected in the fact that a number of book-length studies have been produced, and African writers such as Wole Soyinka (a dramatist) and Yambo Ouologuem (a novelist) have received international accolades. In short, African literature is now recognised as a vital element in the corpus of world literature.
page 323 note 1 Finnegan, Ruth, Oral Literature in Africa (Oxford, 1970), pp. 10–11.Google Scholar
page 323 note 2 Ibid. p. 11.
page 323 note 3 Ibid.
page 324 note 1 Solomon O. Iyasere, ‘The Murder of Adesua’, unpublished manuscript.
page 325 note 1 Mbiti, John S., Akamba Stories (Oxford, 1966), p. 22.Google Scholar
page 325 note 2 See Haywood, Christopher (ed.), Perspectives on African Literature (London and New York, 1971), p. 12.Google Scholar
page 326 note 1 Roscoe, Adrian, Mother is Gold: a study in West African literature (London, 1971), p. 73.Google Scholar
page 326 note 2 Iyasere, Solomon O., ‘Oral Tradition in the Criticism of African Literature’, in The Journal of Modern African Studies (Cambridge), XIII, 1 03 1975, p. 107.Google Scholar
page 327 note 1 Moore, Gerald, The Chosen Tongue: English writing in the tropical world (London and New York, 1969), pp. 163–6.Google Scholar
page 327 note 2 Roscoe, op. cit. p. 97.
page 327 note 3 Armah, Ayi Kwei, The Beautyful Ones Are Not Yet Born (London, 1969), pp. 191–2.Google Scholar
page 327 note 4 Obiechina, E. N., in Okike: a Nigerian journal of new writing (Nsukka), 04 1971, p. 49.Google Scholar
page 327 note 5 Cf. Tyasere, loc. cit. pp. 115–19.
page 328 note 1 Bohannan, Laura, ‘Hamlet and the Tiv’, in Psychology Today (New York), 07 pp. 65–6.Google Scholar
page 328 note 2 Cf. Tucker, Martin, Africa in Modern Perspective (New York, 1967), p. 262:Google Scholar ‘for the purpose of critical assessment of modern fiction about Africa, it is difficult to detect the presence of a specifically neo-African development or trend. The opposite seems to be the case. African writers have followed European models at the very moment they assail them.’ Tucker here seems unable to perceive the nuances of African literature, ironically those aspects that give it life and vitality – a commentary on the limitations of the Eurocentric approach.
page 329 note 1 Thumboo, Edwin, ‘Kwesi Brew: the poetry of statement and situation’, in African Literature Today (London), 4, 1970, p. 35.Google Scholar
page 329 note 2 Jahn, Janheinz, A History of Neo-African Literature (London, 1966), pp. 63–4.Google Scholar
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