This paper examines the cultural repertoires of the youthful, ‘militant’ faction of the Oodua People's Congress (OPC) in Nigeria, pointing to ways in which violence and ritual can be interpreted both as an instrumentally rational strategy of power struggle and as a form of symbolic action with cultural meanings. The OPC case strongly challenges the bifurcation of tradition and modernity, given the way the group appropriate culture in negotiating Yoruba identity, while also retaining democratic rhetoric. It argues that the activities of the OPC constitute not stable, bounded manifestations of culture, but rather fluid, ambivalent and paradoxical ethnic-power relations and formations.