Hostname: page-component-745bb68f8f-lrblm Total loading time: 0 Render date: 2025-01-22T08:51:57.541Z Has data issue: false hasContentIssue false
  • English
  • Français

Breaking Rocks: Music, Ideology and Economic Collapse, from Paris to Kinshasa by Joseph Trapido Oxford: Berghan Books, 2017. Pp. viii + 272. $110 (hbk).

Review products

Breaking Rocks: Music, Ideology and Economic Collapse, from Paris to Kinshasa by Joseph Trapido Oxford: Berghan Books, 2017. Pp. viii + 272. $110 (hbk).

Published online by Cambridge University Press:  23 November 2017

Lesley Nicole Braun
Lesley Nicole Braun*
Affiliation:
Freie Universität Berlin
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
The Journal of Modern African Studies , Volume 55 , Issue 4 , December 2017 , pp. 714 - 716
Copyright
Copyright © Cambridge University Press 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Bemba, S. 1984. Cinquante ans de musique du Congo-Zaïre (1920–1907): De Paul Kamba à Tabu Ley. Paris: Présence Africaine.Google Scholar
Covington-Ward, Y. 2016. Gesture and Power: religion, nationalism, and everyday performance in Congo. Durham: Duke University Press.Google Scholar
Lonoh, M.B. 1969. Essai de commentaire sur la musique congolaise modern. Kinshasa: S.E.I./A.N.C. Google Scholar
Nkashama, P.N. 1992. ‘La chanson de la rupture dans la musique zaïroise modern’, in Quaghebeur, M. and van Balberhe, E., eds. Papier blanc, encre noire: Cents ans de culture francophone en Afrique central (Zaire, Rwanda et Burundi). Brussels: Labor, 477–89.Google Scholar
Tchebwa, M. 1996. La terre de la chanson: La musique zaïroise hier et aujourd'hui. Brussels: Duculot.Google Scholar
White, B. 2006. ‘L'incroyable machine d'authenticité: L'annimation politique et l'usage public de la culture dans le Zaïre de Mobutu,’ Anthropologie et societies 30, 2: 43–64.Google Scholar
Yoka, L.M. 2001. Kinshasa, signes de vie. Paris: L'Harmattan.Google Scholar