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Three Black-figured Vases in the Winchester College Museum

Published online by Cambridge University Press:  23 December 2013

Extract

Exact records of the purchasing of the Greek vases in the Winchester College Museum are not available, but the bulk of the collection was bought in Athens with a part of the sum subscribed for the Memorial Building in 1897. That the quincentenary memorial, failing a new chapel, should take the form of a museum, was in large measure the idea and wish of the late Dr. Fearon, then headmaster, and the purchase of antiquities was further facilitated by his private generosity. Since then there have been a few additional presentations, but the vases originally acquired form the main part of the collection.

Among the black-figured pieces are three of particular merit: a skyphos and an eye-cup by the Theseus painter, and a second eye-cup of similar style. I thought this cup to be also by the Theseus painter. While differing in some respects from the other cup, it is very similar in shape and in scheme and detail of decoration to the only other cup attributed to this painter's hand, the one in Copenhagen with Hephaestos riding a horse. Prof. Beazley has, however, been kind enough to examine my photographs, and does not endorse my attribution.

The two pieces by the Theseus painter are included in Miss Haspels’ list, p. 251 no. 36, p. 252 no. 76. The skyphos had been previously recognised by Alan Blakeway as belonging to Mingazzini's white Heron Group, and the one sound painter that Prof. Beazley has differentiated from his hack colleagues in this workshop is now established by Miss Haspels as the Theseus Painter.

Type
Notes
Copyright
Copyright © The Society for the Promotion of Hellenic Studies 1939

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References

1 E.g. Lecce 560, CV pl. 3, 1–2. Haspels 34.

2 Prof. Caskey had had tiny samples of the clear white and the buff paints examined under a high-power microscope, and reports that the crystals in the second sample differed somewhat from those in the first, suggesting, but not conclusively proving, that the buff sample may have been a pigment combining white with yellow ochre.