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Some Sculptures at Turin

Published online by Cambridge University Press:  23 December 2013

Alan J. B. Wace
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Extract

During a visit to Turin last autumn to photograph the so-called ‘Diadumenos,’ which is here published, I believe for the first time, I took the opportunity to photograph one or two other works which seemed to be interesting. The photographs of these are published with the ‘Diadumenos’ in this paper. The discussions added to the descriptions of them are not intended to be complete, nor are they, I fear, perfect. My excuse is my desire to make interesting sculptures accessible to those better fitted to criticize them. In preparing this paper I have received much kind help from Dr. Amelung, who has most generously placed at my disposal many of his notes, especially as regards the list of replicas of the Praxitelean Athena, which is entirely his own.

Type
Research Article
Information
The Journal of Hellenic Studies , Volume 26 , November 1906 , pp. 235 - 242
Copyright
Copyright © The Society for the Promotion of Hellenic Studies 1906

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References

1 Dütschke, 52 (he wrongly calls the head female); Furtwängler, , Meisterwerke, p. 448Google Scholar. Id. Masterpieces, p. 247 (he calls it male, but misunderstands the hair and says the head is a Diadumenos); Amelung, , Rev. Arch. 1904, ii. p. 344Google Scholar, 1.

2 Masterpieces, pp. 116, 243.

3 Bull. Com. 1888, Pl. XV., XVI., Helbig2, 615.

4 Furtwängler, , Masterpieces, p. 192Google Scholar, Fig. 80.

5 Id. Ibid. p. 50, Fig. 8.

6 Id. ibid. p. 67, Fig. 20.

7 Helbig, Coll. Barracco, Pl. XXXV., XXXVa.

8 v. Schreiber, , Ath. Mitth. 1883, p. 246Google Scholarseqq.; Studniczka, , Jahrbuch, 1896, p. 246Google Scholarseqq.

9 Cf. Furtwängler, op. cit. Pl. XI.

10 Dütschke, 53.

11 Basis des Praxiteles, p. 16 seqq.

12 Amelung, , Führer d. d. Ant. in Florenz, 248Google Scholar.

13 Now in St. Petersburg; Amelung, op. cit. p. 18, Fig. 4.

14 Helbig2, 387.

15 It might possibly be a dancing figure: if so it cannot be a dancing satyr since the torso is not satyric in character.

16 Rev. Arch. 1904, ii. p. 325 seqq.

17 Op. cit. p. 334; v. above p. 236.

18 Satyr aus Pergamon, p. 14, Pl. III. 2.

19 Dütschke, 151.

20 Michaelis, , Ancient Marbles, p. 464Google Scholar, 85, illustrated.

21 Smith, A. H., Cat. iii. 1785Google Scholar, other replicas: head and torso, Athens, , Acropolis Museum, Ath. Mitth. 1886Google Scholar, Pl. IX., 1, E.-V. 733, 734; head, Jacobsen Coll. 1081a; torso only, Louvre, Brunn-Bruckmann 67; Munich, , Furtwängler, , Katalog, 287Google Scholar.

22 J.H.S. 1905, p. 234 seqq.

23 To the same group we can probably assign two athlete statues in Berlin, , Beschreibung d. ant. Skulp. 469, 471Google Scholar; v. Amelung, , Röm. Mitth. 1905, p. 148Google Scholar, figs. 5–7.

24 Bull. Com. 1897, p. 110 seqq.

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26 Furtwängler, , Statuen-kopieen, p. 33, 34, Pl. V.Google Scholar; Michaelis, Ancient Marbles, No. 24.

27 E.-V. 57, Amelting, op. cit. p. 122, 1; similar figure Vatican, , Mus. Chi. 654Google Scholar; Amelung, Vat. Mus Cat. Pl. 81.

28 Amelung, , Führer d. d. Ant. i. Florenz, 157Google Scholar; replicas Louvre, Clarac, 1074, 3474, No. 62; Arndt, , Porträts, 219, 220Google Scholar; Rome, , Giustiniani, Pal., Bull. Com. 1904Google Scholar, Pl. III.

29 E.-V. 179, 180.

30 von Schneider, Album d. Ant. Sammlung, Pl. XIII.

31 Beschreibung d. ant. Skulp. 331; Arndt, , Porträts, 217, 218Google Scholar.

32 Bull. Com. 1897, Pl. VIII.; Helbig2, 735.

33 E.g. those referred, to by Amelung, Bull. Coin. loc. cit.; cf. Botti, , Musée ď;Alexandrie, i. 23Google Scholar, 30, 31, 33, 34, 36–39, xiv. 9, 12, 14.

34 Brit. School Annual, ix. p. 236 seqq.

35 Bull. Com. 1897, p. 138.

36 Collignon, , Pergame, p. 204Google Scholar; cf. the Dionysus published by Famell, , J.H.S. 1890, p. 187Google Scholar.

37 von Schneider, op. cit.. Pl. VI.

38 Olympia, iii. Pl. LIV.

39 Burlington Fine Arts Club, Cat. Exhib. Greck Art, Pl. XXXII.

40 Furtwängler, , Masterpieces, p. 397, Fig. 174Google Scholar; E.-V. 1342, 1343.

41 Cf. Pfuhl, , Röm. Mitth. 1904, p. 1Google Scholarseqq.