In my quest for Aurai in Greek art, I have been surprised by the haste of commentators to label each and every running woman as a Nereid. Surely it should depend on the evidence. I begin with two Attic pyxides in the Fitzwilliam Museum, Cambridge. The first GR 1. 1933 was given and published by Miss Lamb in CVA Cambridge ii pl. 26. In Beazley, ARV 297, this vase was said to be in the Manner of Douris. In ARV 451 this vase has lost its own reference and acquired that of GR 10. 1934 (Friends of the Fitzwilliam Museum, Reports xxvi [1934] 3, fig. 4; see the correction in Paralipomena p. 521 [Addenda II, to p. 376]).‘Nereids’ is an inadequate description of either vase; for both include different sexes.

The pyxis 1. 1933 is not in good condition. The central figure is surely not the male, as Miss Lamb says, but a running woman taking up twice as much room as anyone else. She holds one dolphin and has lost another, so she must be the heroine Thetis. On one side of her stands a man with a dark beard, but he holds an old man's crooked stick, so he must be Nereus in spite of his dark beard: and a frightened Nereid rushes by him to the left: on a third side a stationary woman has just frightened a woman with a sceptre off her chair; the sceptre holder must be Doris. Here then we have a Peleus and Thetis scene, but there is no room for Peleus.