Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-06T05:06:20.274Z Has data issue: false hasContentIssue false

An unpublished arula in the Ashmolean Museum: a minor contribution to Hellenistic chronology

Published online by Cambridge University Press:  11 October 2013

C. E. Vafopoulou-Richardson
Affiliation:
Jesus College, Oxford

Extract

In 1899 E. Oldfield, Librarian and Fellow of Worcester College, gave a small altar to the Ashmolean Museum, where it joined an already growing collection of fine terracottas. Little is known about its history and how it came into the possession of the donor. Taranto, where such small altars occur most frequently, was thought to be their place of origin, though they have also been found in Greece and Asia Minor, mainly in Hellenistic contexts.

Type
Notes
Copyright
Copyright © The Society for the Promotion of Hellenic Studies 1982

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Vafopoulou-Richardson, C. E., Greek Terracottas (Oxford 1981) 40–1, pls 42–3, much restoredGoogle Scholar.

2 Wuilleumier, P., Mél. d'arch. et d'hist. xlvi (1929) 71, pl. 2.1–2Google Scholar; id., Tarente, des origines à la conquête romaine (Paris 1939) 435, pl. 41.1–4.

3 Siebert, G., Recherches sur les ateliers de bol à reliefs du Péloponnèse à l'époque Hellénistique, BEFAR (Paris 1978) 240–6Google Scholar.

4 Thompson, H. A., ‘Two centuries of Hellenistic pottery’, Hesperia iii (1934) 311476CrossRefGoogle Scholar.

5 Kroll, J. H., AthMitt lxxxix (1974) 202–3Google Scholar.

6 Grace, V. R., AthMitt lxxxix (1974) 193200Google Scholar.

7 Braun, K., AthMitt lxxxv (1970) 183Google Scholar.

8 Yavis, C. G., Greek Altars (Saint Louis 1949) 171–5Google Scholar; Nilsson, M., ‘Griechische Hausaltäre’, Festschr. B. Schweitzer (Stuttgart 1954) 218–21Google Scholar.

9 Délos xxvii, pl. 20Google Scholar.

10 Thompson, D. B., Troy, Suppl. Monograph iii (Princeton 1963) 142, pl. 57, no. 293Google Scholar.

11 Edgar, C. C., Greek Bronzes (Cairo 1904) pl. 15, 27.813, 27.814Google Scholar; Perdrizet, P., Bronzes grecs d'Égypte de la collection Fouquet (Paris 1911) pl. 40Google Scholar.

12 Wuilleumier, , Tarente (n. 2) 389, 436Google Scholar.

13 Hausmann, U., Hellenistische Reliefbecher aus attischen und böotischen Werkstätten (Stuttgart 1959) 107 n. 99Google Scholar.

14 Woelcke, K., ‘Beitrage zur Geschichte des Tropaions’, Bonner Jb. cxx (1911) pls 11–12Google Scholar.

15 Ashmole, B., ‘Demeter of Cnidus’, JHS lxxi (1951) 25–8, pl. 10dGoogle Scholar.

16 Eckstein, F., ‘Weibliche Gewandfigur in Brüssel’, Ant. Plast. iv (1965) 47 ff.Google Scholar, pl. 27a and fig. 5.

17 Eretria ii, pl. 22, 1a.Google Scholar

18 Ibid., pl. 27, 4.

19 Courby, F., Les vases grecs à reliefs (Paris 1922)Google Scholar.

20 Schwabacher, W., ‘Hellenistische Reliefkeramik im Kerameikos’, AJA xlv (1941) 185–93Google Scholar.

21 Thompson, D. B., ‘Three centuries of Hellenistic terracottas’, Hesperia xxxi (1962) 259, pl. 91Google Scholar.

22 Eretria: Besques, S., Catalogue raisonné des figurines et reliefs en terre cuite grecs, etrusques et romains iii (Paris 1972) pl. 84Google Scholar.

Olbia: Minns, E. H., Scythian and Greeks (Cambridge 1913) 364Google Scholar; AA 1909 173, fig. 31Google Scholar.

Delos: Délos xviii 386, fig. 451, pl. 111, 977Google Scholar.

Delphi: Boston Museum 00.325 (unpublished): fragment showing the Dionysiac scene. Bought at Athens and said to come from Delphi.

Callatis: Canarache, V., Masks and Tanagra figurines made in the workshop of Callatis (Constanta 1969) 62, 33Google Scholar; 64, 38; 65, 39–40.

Corinth: Corinth vii pt iii 163 ff.Google Scholar, pl. 68, no. 807; no. 814; Corinth xii pl. 65, no. 889Google Scholar.

Thessaloniki: M. Vickers tells me of the existence of an Attic West Slope ware pyxis from Thessaloniki also in the Ashmolean (1976.71; see AA 1981, 549–50Google Scholar) which has on the lid the Dionysiac scene. The same scene appears on a bowl from Sidi Khrebish, Benghazi (F 1478) of the mid-second century BC (information from P. Kenrick).

23 See now also Simon, E., LIMC iGoogle Scholar.i s.v. ‘Amymone’.

24 Horn, R., Stehende weibliche Gewandstatuen (Munich 1931) 12, pl. 2, 2Google Scholar.

25 Ibid., pl. 2, 3.

26 Rotroff, S. I., Megarian Bowls in the Athenian Agora (Thesis Princeton 1976) 3841Google Scholar.

27 Johansen, K. F., The Attic grave reliefs (Copenhagen 1951) fig. 7Google Scholar.

28 Weinberg, S. S., ‘Corinthian relief ware’, Hesperia xxiii (1954) pl. 33c–eGoogle Scholar.

29 Züchner, W., ‘Von Toreuten und Topfern’, Jdl lxv–lxvi (19501951) 175205Google Scholar.

30 Robertson, C. M., A History of Greek Art (London 1975) pl. 125aGoogle Scholar.

31 Thompson, D. B., Ptolemaic Oinochoai and Portraits in Faience (Oxford 1973) 143, pl. 20, 58Google Scholar.

32 Weinberg (n. 28), Hesperia xxiii (1954) pl. 32b, 33aGoogle Scholar; see now Simon, E. et al. , Martin von Wagner Museum Antikenabteilung (Mainz 1975) 186Google Scholar, L908 (where it is suggested that this group of vases may have originated in Alexandria).

33 G. Siebert (n. 3) 70, pl. 24, M.11–M.12; pl. 44–45, Co. 1, Co. 2, also p. 179, where Siebert comes to the same conclusion for the Peloponnesian workshops: ‘On constate dans l'ensemble que le réportoire se rattache tantôt à l'art classique du IVe siècle, tantôt semble-t-il, à l'art contemporain ou immédiatement antérieur. Certains ateliers péloponnésiens sont plus “classiques” que d'autres, mais la plus part puisent par des emprunts indirects aux mêmes sources anciennes’.

34 Corinth, vii pt iii, 152Google Scholar.

35 Rotroff (n. 26) 65.

36 Corinth, vii pt iii, 163168Google Scholar.

37 Callaghan, P., AAA xi (1978) 5360Google Scholar.

38 Callaghan, P., BSA lxxv (1980) 42Google Scholar.

39 Délos xxxi pl. 20, 3247Google Scholar.

40 See above n. 22.