Any one who investigates the mythology of Athens is confronted first and foremost by the figures of Cecrops and his daughters, Pandrosos, Herse, and Aglauros. Such shadowy personalities as Porphyrion, Kolanios, &c., are obvious interpolations from other local cults, and as such quâ Athens may be disregarded. In visiting the outlying demes Pausanias was told of other kings (P. i. 31, 5) who preceded Cecrops. Well and good for the demes, jealous of their local heroes and anxious to interpolate their names in the genealogical table of the pre-eminent Athens; but for Athens herself, and for the Athenian Apollodorus (Bibl. iii. 13, 8), it is with Cecrops the autochthon that the real live mythology of Athens begins—he is a person in art as well as in literary tradition. Above all, for our present purpose he has three famous daughters, whose personalities and activity are considerably more vital than that of their father.

In dealing with Athenian local cults (Mythology and Monuments of Ancient Athens, p. xxxiii.), and especially on examining the ceremony of the Hersephoria, I was constantly haunted by the conviction that behind the personalities of these three sisters more was hidden than came to light on the surface. Father and daughters alike seemed to me too personal—if I may be allowed a seeming contradiction—to be mere impersonations. Cecrops we are usually told is the eponymous of the Cecropidae; his three daughters some mythologists hold are impersonations of the dew, a view I hope I have shown is unsatisfactory, if not untenable (op. cit. p. xxxiv.), or else they were incarnations of certain attributes and aspects of Athene, bearing to her much the same relation as Erectheus to Poseidon. If so, these incarnations are very vivacious, and their activity is strangely independent and even adverse to that of the goddess herself. Such solutions somehow fail to carry conviction. The subject has been so long and so ably investigated that it is with considerable deference I offer for criticism a solution I believe to be wholly novel.