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San Marco, Byzantium, and the myths of Venice. Edited by Henry Maguire and Robert S. Nelson. (Dumbarton Oaks Byzantine Symposia and Colloquia.) Pp. viii+295 incl. 128 ills+2 black-and-white and 10 colour plates. Washington, DC: Dumbarton Oaks, 2010. £44.95 ($60). 978 0 88402 360 9

Published online by Cambridge University Press:  15 March 2012

Deborah Howard
Deborah Howard
Affiliation:
St John's College, Cambridge
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Information
The Journal of Ecclesiastical History , Volume 63 , Issue 2 , April 2012 , pp. 387 - 389
Copyright
Copyright © Cambridge University Press 2012

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References

1 ‘From Enrico to Andrea Dandolo: imitation, appropriation, and meaning at San Marco, Venice’, jointly sponsored by Dumbarton Oaks and Johns Hopkins University, May 2007.

2 Otto Demus, The Church of San Marco in Venice: history, architecture, sculpture, Washington, DC 1960, and The mosaics of San Marco in Venice, Chicago 1984.

3 Renato Polacco (ed.), Storia dell'arte marciana: sculture, tesoro, arazzi; Storia dell'arte marciana: i mosaici; and Storia dell'arte marciana: l'architettura; Antonio Niero (ed.), San Marco: aspetti storici e agiografici, Venice 1997.

4 Marino Sanuto, I diarii, xxiii, Venice 1888, col. 480, entry for 16 Jan 1517, mentions ‘torzi 6 davanti la Nostra Donna sopra la Chiexia’.