Phillips Brooks was undeniably one of the most popular preachers of Gilded Age America. Sydney Ahlstrom described Brooks and the liberal Congregationalist Henry Ward Beecher as ‘in a class by themselves, envied and emulated the country over’. Unlike Beecher, however, the rector of Trinity Church, Boston, subsequently Episcopal bishop of Massachusetts, has attracted remarkably little scholarly attention. His few biographers have rarely attempted to place his thought or career in their social or intellectual contexts. With one recent notable exception, little of scholarly value has been written about Brooks. The older biographies have tended to portray him as initially rooted in the evangelical tradition, even though he subsequently became a leader of the emergent Broad Church party. Alexander V. G. Allen concludes, for example, that by the close of his seminary training, Brooks ‘freely accepted the leading truths which are known as Evangelical’. E. Clowes Chorley asserts simply that ‘Brooks never drifted from the heart of Evangelical religion’. Allen and others stress the evangelical origins of Brooks's thought in order to argue for the continuity between the evangelical and liberal streams within American Anglicanism. This portrayal of Brooks as a churchman who somehow retained the essence of an early evangelicalism while later embracing his Church's liberal future has served what Allen Guelzo has aptly called the ‘myth of synthesis’ in Episcopal historiography. Such an interpretation does not view Evangelicals as being forced out of the Church in the 1870s but posits a benign creative synthesis that enabled the Church to transcend the aberrant party battles of the mid century.