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Ruralism, Masculinity, and National Identity: The Rambling Clerk in Fiction, 1900–1940

Published online by Cambridge University Press:  05 June 2015

Abstract

This article examines the place of the literary lower-middle-class clerk in the English landscape between ca. 1900 and 1940. It draws attention to “clerical literature”—as typified in works by Arnold Bennett, H. G. Wells, and Shan Bullock—and, more specifically, a subgenre that signposts the emergent interest in getting “back to the land.” At the heart of this subgenre of “rambling fiction,” the male clerical protagonist not only engages with the natural landscape on a journey through rural England but also explores notions of masculinity, heritage, and national identity. By focusing on middlebrow works, largely those written by former clerks themselves, this article argues that clerks were pioneers in drawing connections between a re-masculating exposure to the great outdoors—necessary for suburban, domesticated, office workers—and an appreciation of a particular palimpsest of England's history. In doing so, the clerk helped to popularize the continued association of medievalism, the South of England, and the rural “idyll.”

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Articles
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Copyright © The North American Conference on British Studies 2015 

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References

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4 This article is based on the works of former clerks-turned-writers, although there are a few notable exceptions that demonstrate the widespread popularity of both the clerical novel format and the ramble narrative. See, for instance, later references to Francis Brett Young's Mr. Lucton's Freedom (London, 1940). Canning was a clerk, as were Shan Bullock, Arnold Bennett and Jerome K. Jerome; E. M. Forster was a tutor for a while, as was George Gissing. George Orwell was a bookshop assistant, and H. G. Wells a draper.

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13 It is interesting to chart the social progression of these protagonists as middle-class authors appropriated the form. Canning is a clerk; Bowling is a traveling salesman; and Mr. Lucton, Brett Young's rambler, is a manager. Regardless of these incremental promotions, they all conform to the same character traits.

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67 Ibid., 20–21.

68 Brett Young, Mr. Lucton's Freedom, 94–95.

69 Canning, Mr. Finchley, 43.

70 Ibid., 250.

71 Ibid., 58.

72 Ibid.

73 Brett Young, Mr. Lucton's Freedom, 54, 89.

74 It is suggested that while Lucton was a prisoner of war, his wife nursed, and consequently fell in love with, a soldier who later died.

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91 Canning, Mr. Finchley, 145.

92 This is, as the preface establishes, a “compilation of … somewhat varied sketches” that are designed to entertain fellow city workers. It is not a ramble narrative on the same terms as some of the fictional works discussed in this article; instead, Cabot explores his short time as a commercial clerk, and in doing so, demonstrates comparable attitudes towards the open road.

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101 What is interesting is that the depiction DeGroot outlines has remained a popular one, and one that culturally has been characterized as the “true” England, even to this day. See DeGroot, Gerard J., Blighty: British Society in the Era of the Great War (London, 1996)Google Scholar, 290.

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110 Muscular Christianity blended Christian doctrine with a public-school ethos in order to promote sporting competition among young men and encourage perfect manliness in both body and soul. It was, in part, a reaction to the so-called deviant masculinities epitomized in the Oscar Wilde trials of 1895. See Girouard, Mark, preface to The Return to Camelot: Chivalry and the English Gentleman (New Haven, 1981)Google Scholar.

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