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The Han Imaginaire of Writing as Weaving: Intertextuality and the Huainanzi's Self-Fashioning as an Embodiment of the Way

Published online by Cambridge University Press:  16 June 2020

Tobias Benedikt Zürn Open the ORCID record for Tobias Benedikt Zürn [Opens in a new window]
Tobias Benedikt Zürn*
Affiliation:
Tobias Benedikt Zürn ([email protected]) is Postdoctoral Fellow in the Religious Studies Program at Washington University in St. Louis.
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Abstract

Writers in the Han dynasty (206 BCE–220 CE) apparently experienced writing in weaving terms. Such an imaginaire of writing as weaving was probably fully manifested in the first or second century BCE and crystallized in the coining of literary terminologies such as classics (jing), weft-writings (weishu), and literature/texts (wen). Situating the Huainanzi and its intertextual writing practice within this imaginaire enables us to reassess both the Huainanzi's widespread dismissal as a miscellaneous, encyclopedic behemoth in the first half of the twentieth century and its reappreciation over the last few decades. According to the Huainanzi's self-depictions, Liu An and his erudite courtiers apparently created the scripture in such an intertextual way in order to textually mimic the process of weaving. Since the Huainanzi commonly associates weaving with the Way's connective powers, the text's extraordinary design might be the result of a literary attempt to create an efficacious, textual artifact that embodies the Way by incorporating the act of weaving in its textual design.

Keywords

Huainanziimageryintertextualityliteraturematerial cultureperformativityreligious studiesritualweavingwriting
Type
Research Article
Information
The Journal of Asian Studies , Volume 79 , Issue 2 , May 2020 , pp. 367 - 402
Copyright
Copyright © The Association for Asian Studies, Inc. 2020

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