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China on the Sea: How the Maritime World Shaped Modern China. By Zheng Yangwen. Leiden: Brill, 2012. viii, 362 pp. $176.00 (cloth).

Published online by Cambridge University Press:  03 December 2012

Joanna Waley-Cohen*
Affiliation:
New York University

Abstract

Type
Book Reviews—China
Copyright
Copyright © The Association for Asian Studies, Inc. 2012

This book draws on archival documents, published histories, and visual materials to argue that Qing China (1644–1912) was a strongly consumerist society, and that much of what it consumed arrived by sea, often on foreign ships. Zheng Yangwen's interest in the huge role of foreign goods in early modern Chinese consumption grows out of her earlier book on opium, which drew attention to the late-eighteenth- and early-nineteenth-century fashion for “foreign goods” (yanghuo). She argues for a major trade shift beginning during the Ming, when luxuries for use at court gradually yielded place to goods for much more general consumption. In other words, “consumer goods for the first time in history dictated the volume of maritime trade” (p. 243), and Zheng asserts that by the mid-Qing this shift was widely in evidence.

Zheng links both population growth and spreading consumption to maritime trade. At the same time, she makes a convincing case for the need for greater historical attention to the commercial influence of Southeast Asia, which was a source of such luxury imports as birds’ nests and sea cucumbers while simultaneously providing China with much-needed grain imports that sustained unprecedented demographic expansion. She also seeks to overturn several misapprehensions, including the assumption that the Qing focused primarily on its inland frontiers until Europeans forced it to look seaward, and the now outdated view that China was mostly uninterested in what foreigners had to offer.

The book begins with a survey of China's overseas trade from earliest times through the well-known early-fifteenth-century voyages to the Indian subcontinent, the Persian Gulf, and East Africa, and it notes that Buddhism was one important import that owed much to maritime links originally forged for commercial purposes. Zheng addresses the development of bureaucratic mechanisms for controlling maritime affairs, but surprisingly, given the book's title, pays little attention to the role of military exigency and the intertwining of commercial with military functions in the development of the Chinese navy, whose earlier domination of the commercial sea routes was at least partly facilitated by coercion. She is much more interested in what the seas brought to China than what China took to the seas.

Chapter 2, “The Inconsistency of the Seas,” examines in detail Qing maritime policy, including the early bans on seaborne trade, meant as a defense against increasingly predatory piracy, and the early encounters with Europeans. It suggests that, growing consumerism notwithstanding, imperial security concerns ultimately trumped the quest for profit. Those concerns were related partly to the desire to secure the coastal frontiers and partly to the challenge of “Feeding China,” the subject of chapter 3, which addresses imports of rice from Siam and of maize and “foreign yams” from the New World.

Chapter 4 focuses on the importation of clocks, important for keeping time, of course, and long known to have attracted enormous interest in China. Zheng argues that clocks globalized China willy-nilly through their dual function as objects of fashion and as timekeepers. This chapter and the following one, which addresses the construction of the missionary-designed, Western-style palaces of the Yuanmingyuan, “China's Versailles,” highlight the passion of the “Three Emperors,” Kangxi (1662–1722), Yongzheng (1723–35), and Qianlong (1736–95), for genuine European imports. At the same time, these chapters analyze the indigenization of foreign goods and the filtering down of court tastes into society at large. In this section, Zheng focuses on questions of consumer desire and its relation to political power, but she avoids placing the Yuanmingyuan in the context of other Qing palaces such as Chengde, now understood to be, in effect, a theme park of empire. Might not the European-style palaces also have been an illustration of the same tendency, albeit in a different register, rather than purely the product of imperial acquisitiveness? In these chapters, a marked inclination not to engage fully with the existing literature becomes most pronounced.

Chapter 6, “Wind of the West,” notes changes in conceptualizations of Europe, from “West Ocean” to “Europe” and ultimately “The West,” that occurred as maritime trade became essential to the rapidly growing Chinese market for consumer goods of all kinds. Chapter 7, “Pattern and Variation: Indigenisation,” brings the story into the early twentieth century, analyzing variables in the indigenization process, while chapter 8, “Race for Oriental Opulence,” touches on the “strange parallels” (p. 293) between European chinoiserie and Chinese euroiserie. The author concludes by drawing on a number of recent studies of consumption in twentieth-century China, including its links to nationalism, arguing for a fairly straightforward trajectory from late imperial to modern times.

Those seeking real maritime history may be disappointed by this book, but the author is to be lauded for having flagged both the importance of maritime trade to Qing China and the consequent boom in consumerism. It will be of interest mainly for historians of global economic and consumer history and of relations between China and Europe.