This paper offers close textual readings of poems from James Weldon Johnson's 1927 collection, God's Trombones, uncovering in Johnson's language resonant clues to his thought. In contrast to his disaffected novel The Autobiography of an Ex-colored Man (1912), Johnson's sermon–poems, through reengagement with the folkways of traditional African American worship, forge out a more potent creative space. As hybrid works, they diminish the gap between text and speech, and demand careful and lively ways of reading. My argument situates Johnson's practice in the contexts of sound recording, ragtime, and programmes for African American uplift at the turn of the century.

Sumner Welles occupies a queer place in American history. Despite his prominence, his reputation among diplomatic historians has been overshadowed by the sex scandal that occasioned his demise. Conversely, he has attracted cursory attention from scholars of the history of sexuality. This article examines that historiographic dialectic. By analyzing literature about Welles, conducting a close reading of sources that catalogued Welles's sexuality, and applying an intersectional lens to the scandal that ended his career, this article seeks to redress historiographic misunderstandings and omissions about Welles. Additionally, this article explores ethical questions historians must contend with when analyzing historical queer figures.

This article explores the effect of Doom Town, a civil defense experiment conducted at Nevada Test Site in March 1953 and May 1955, on American attitudes toward the atom. Initially conceived by the Federal Civil Defense Administration (FCDA) as a means to progress knowledge and understanding of how to survive nuclear attack, the creation and destruction of two “Survival Towns” in the Nevadan desert instead accelerated national anxieties. My article looks at how local and national media negatively framed the two experiments, and how the public responded, with two specific images of Doom Town undermining public confidence in the atom: the ruined city (or homegrown Hiroshima) and the projected death of the American nuclear family.

When Afro-Puerto Rican outfielder Roberto Clemente debuted with the Pittsburgh Pirates in 1955, baseball writers identified him as another in a long line of Black stars remaking the game. When he died at the end of 1972, they remembered him as something else: a great Latin athlete. Clemente had traveled from Black to brown. Most historians trace the emergence of a panethnic Latinx identity to a post-civil rights convergence of social movements, federal agencies, and ethnic media organizations. But baseball had, by then, already introduced millions of fans to the concept of three mutually exclusive racial categories: Black, white, and brown. The national pastime led a shift from the Black/white binary of integration to the Black/brown binary of an uncritical multiculturalism that served, above all, the interests of white capital and management.