¹ Ransom, John Crowe, The World's Body (New York: Charles Scribner's, 1938), p. 78Google Scholar.

² Williams, William Carlos, “ Marianne Moore ” (1925), Selected Essays (New York: Random House, 1954), p. 123Google Scholar; the date is erroneously given here as 1931.

³ Stein, Gertrude, “The Gradual Making of The Making of Americans” (1935), Selected Writings, ed. Van Vechten, Carl (New York: Random House, 1962), p. 258Google Scholar.

⁴ Watts, Emily Stipes, The Poetry of American Women from 1632 to 1945 (Austin and London: Univ. of Texas Press, 1977. £9.75). Pp. xvi + 218Google Scholar.

⁵ Eliot, T. S., “ Marianne Moore ” (1923), in Marianne Moore: A Collection of Critical Essays, ed. Tomlinson, Charles (Englewood Cliffs, New Jersey: Prentice-Hall, 1969), p. 51Google Scholar.

⁶ Watts, p. 162; see note 5 above.

⁷ Bleecker, “To Mr. L****”; cited by Watts, pp. 46–47.

⁸ Cited by Watts, p. 45.

⁹ Watts, p. 22; her source is Morison, Samuel Eliot, The Intellectual Life of Colonial New England (New York: New York Univ. Press, 1965)Google Scholar.

¹⁰ Winthrop, History of New England, 1630–1649, ed. James Savage; cited by Watts, p. 20.

¹¹ Watts, p. 10. See Pearce, R. H., The Continuity of American Poetry (Princeton, New Jersey: Princeton Univ. Press, 1961), p. 24Google Scholar.

¹² Watts, p. 64. See Lewis, R. W. B., The American Adam (Chicago: Univ. of Chicago Press, 1955)Google Scholar.

¹³ Eliot, T. S., The American Language and American Literature (St. Louis: Washington Univ. Press, 1953), p. 23Google Scholar.

¹⁴ Watts, p. 176.

¹⁵ Riding, Laura, Collected Poems (1938)Google Scholar; cited by Watts, pp. 169–70.

¹⁶ Smith, Susan Sutton, The Complete Poems and Collected Letters of Adelaide Crapsey (New York: State Univ. of New York Press, 1977, $20.00). Pp. 288Google Scholar.

¹⁷ Claude Fayette Blagdon edited a posthumous collection, Verse (Rochester, New York: Manas Press, 1915)Google Scholar, which was reprinted by Alfred Knopf of New York five times between 1922 and 1938.

¹⁸ See letters to Esther Lowenthal of 25 Sept. 1913 and 6 May 1914. In the former, Crapsey writes: “Of course I'm not mad about teaching — and if 1 were giving it up because I had enough money to live without it and spend all my time on metrics that would be one thing — but after all its [sic] my profession — and I've put a fair amount of time and energy into it. …” Smith, loc cit., p. 211.

¹⁹ Smith, p. 10.

²⁰ See, for instance, K. L. Goodwin'S description of W. C. Williams' “ first poem ” (of about 1901) as “ very like many ‘ Imagist ’ poems, though Imagism as a movement was not inaugurated until 1908 ”: The Influence of Ezra Pound (London: Oxford Univ. Press, 1966), p. 2Google Scholar. The Americanness of Imagist strategies is most interestingly discussed in Tanner, Tony, The Reign of Wonder (Cambridge, England: Cambridge Univ. Press, 1965)Google Scholar.

²¹ Her discussion here naturally draws on Earl Miner's The Japanese Tradition in British and American Literature (Princeton, New Jersey: Princeton Univ. Press, 1958)Google Scholar, but also on more obscure French and Japanese sources.

²² The Encyclopaedia of Poetry and Poetics, ed. Preminger, Alex (Princeton, New Jersey: Princeton Univ. Press, 1965), p. 126Google Scholar; cited by Smith, p. 24.

²³ Smith, p. 24.

²⁴ See Williams, W. C., Autobiography (New York: Random House, 1951), p. 264Google Scholar, and Pound, Ezra, “ Harold Munro ”, The Criterion, 11 (10 1931–07 1932), 590Google Scholar, cited by Davie, Donald, Ezra Pound: Poet as Sculptor (London: Routledge and Kegan Paul, 1965), p. 98nGoogle Scholar.

²⁵ Dora Schatz; cited by Smith, p. 11.

²⁶ Winters, , Forms of Discovery (Chicago: Allan Swallow, 1967), p. 329Google Scholar; misquoted by Smith, p. 29.

²⁷ Hartley, Marsden, “ Adelaide Crapsey ”, Adventures in the Arts (1921; rept. New York: Hacker Art Books, 1972), pp. 207–14, 214Google Scholar.

²⁸ Hartley, loc. cit., p. 208.

²⁹ Pound, Ezra, “ A List of Books ” (1918); rept. in Selected Prose 1909–1965, ed. Cookson, William (London: Faber and Faber, 1973), p. 394Google Scholar.