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Women as Poets
Published online by Cambridge University Press: 16 January 2009
Abstract
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- Copyright © Cambridge University Press 1979
References
1 Ransom, John Crowe, The World's Body (New York: Charles Scribner's, 1938), p. 78Google Scholar.
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7 Bleecker, “To Mr. L****”; cited by Watts, pp. 46–47.
8 Cited by Watts, p. 45.
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11 Watts, p. 10. See Pearce, R. H., The Continuity of American Poetry (Princeton, New Jersey: Princeton Univ. Press, 1961), p. 24Google Scholar.
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17 Claude Fayette Blagdon edited a posthumous collection, Verse (Rochester, New York: Manas Press, 1915)Google Scholar, which was reprinted by Alfred Knopf of New York five times between 1922 and 1938.
18 See letters to Esther Lowenthal of 25 Sept. 1913 and 6 May 1914. In the former, Crapsey writes: “Of course I'm not mad about teaching — and if 1 were giving it up because I had enough money to live without it and spend all my time on metrics that would be one thing — but after all its [sic] my profession — and I've put a fair amount of time and energy into it. …” Smith, loc cit., p. 211.
19 Smith, p. 10.
20 See, for instance, K. L. Goodwin'S description of W. C. Williams' “ first poem ” (of about 1901) as “ very like many ‘ Imagist ’ poems, though Imagism as a movement was not inaugurated until 1908 ”: The Influence of Ezra Pound (London: Oxford Univ. Press, 1966), p. 2Google Scholar. The Americanness of Imagist strategies is most interestingly discussed in Tanner, Tony, The Reign of Wonder (Cambridge, England: Cambridge Univ. Press, 1965)Google Scholar.
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