Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-24T20:33:58.722Z Has data issue: false hasContentIssue false
  • English
  • Français

William Solomon, Slapstick Modernism: Chaplin to Kerouac to Iggy Pop (Champaign: University of Illinois Press, 2016, $55.00). Pp. 272. isbn978 0 2520 4024 5.

Review products

William Solomon, Slapstick Modernism: Chaplin to Kerouac to Iggy Pop (Champaign: University of Illinois Press, 2016, $55.00). Pp. 272. isbn978 0 2520 4024 5.

Published online by Cambridge University Press:  22 March 2019

THOM ROBINSON
THOM ROBINSON*
Affiliation:
University of Sheffield
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Exclusive Online Reviews
Information
Journal of American Studies , Volume 53 , Issue 1 , February 2019 , E10
Copyright
Copyright © Cambridge University Press and British Association for American Studies 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Kerouac, Jack, “The Origins of the Beat Generation,” Playboy, 6, 6 (1959), 31–32Google Scholar, 42, 79.

2 Bangs, Lester, “Of Pop and Pies and Fun: A Program for Mass Liberation in the Form of a Stooges Review. Or, Who's the Fool?”, Creem, Nov–Dec. 1970, reprinted in Bangs, Psychotic Reactions and Carburetor Dung, ed. Marcus, Greil (London: Serpent's Tail, 1996), 31–52Google Scholar, 32.

3 You Made It Weird (podcast), episode 234, “Larry Charles,” 2014, at http://nerdist.com/you-made-it-weird-234-larry-charles, accessed 27 April 2017.