No CrossRef data available.
Article contents
Nativism and Assimilations: the Hollywood Aspect
Published online by Cambridge University Press: 16 January 2009
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Review Article
- Information
- Copyright
- Copyright © Cambridge University Press 1973
References
1 Quoted in Gordon, Milton M., Assimilation in American Life (New York: O.U.P., 1964), pp. 15–16.Google Scholar
2 Pratley, Gerald, The Cinema of Otto Preminger (London: Zwemmer; New York: Barnes & Co., 1971, 90p; $2·95), p. 192.Google Scholar
3 McLean, Albert Jr, American Vaudeville as Ritual (n.p.: University of Kentucky Press, 1965), p. 5.Google Scholar
4 Henderson, Robert M., D. W. Griffith: His Life and Work (New York: Oxford University Press, 1972, £3·00), pp. vii + 326.Google Scholar
5 Curtiss, Thomas Quinn, Von Stroheim (London: Angus and Robertson, 1971, £3·75), pp. xxii + 357.Google Scholar
6 MacArthur, Colin, Underworld USA (London: Seeker and Warburg, 1972, £2·20), p. 176.Google Scholar
7 In Underworld USA, Colin MacArthur uses a still from Richard Wilson' 1960 film pay or Die (p.64). A Catholic procession (ethnic self-consciousness) is watched and cheered by local Italian-Americans waving the Stars and Stripes (national self-consciousness).
8 Sheed, Wilfrid, ‘The Mafia’, New York Review of Books, 19 (20 07 1972), 26.Google Scholar