Hostname: page-component-586b7cd67f-rcrh6 Total loading time: 0 Render date: 2024-11-29T07:50:41.642Z Has data issue: false hasContentIssue false
  • English
  • Français

Independent Beauty

Published online by Cambridge University Press:  16 January 2009

Philip Horne
Philip Horne
Affiliation:
Philip Home is Lecturer in the Department of English Literature at University College London, Gower Street, London WC1E 6BT.
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews Essays
Information
Journal of American Studies , Volume 21 , Issue 1 , April 1987 , pp. 87 - 93
Copyright
Copyright © Cambridge University Press 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Jones, Vivien, James the Critic (London: Macmillan, 1985).CrossRefGoogle Scholar

2 Letter of 5 Dec. 1884, in Henry James and Robert Louis Stevenson: A Record of Friendship and Criticism, edited with an Introduction by Janet, Adam Smith (London: Hart-Davis, 1948), p. 102.Google Scholar

3 We can also see his response to Trollope's Linda Tressel (1868; vol. 1, pp. 1329–30) as germinal (with Balzac's Eugénie Grandet, of course) for Washington Square, and Matilde Serao's II Romano della Fanciulla with its “exhibitions of grinding girl-life in the big telegraph office” (vol. II, p. 962) as contributing to In the Cage.