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Howling “A Hot Time”: The Paradoxical Anthem of the Progressive Age
Published online by Cambridge University Press: 08 December 2020
Abstract
This study investigates the shifting meanings invested in the ragtime song “A Hot Time in the Old Time, Tonight” at the turn of the twentieth century. Complicating the tune's place in the canon of military, political, and national anthems was its associations with “vice,” black culture, and white supremacy. By mapping the ritual and representational uses of the song, this investigation demonstrates how “A Hot Time” served paradoxical functions that simultaneously affirmed and unsettled American exceptionalism. In doing so, this article traces the processes of obfuscation whereby black musical traditions and white supremacy defined America's distinctive national identity.
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- Research Article
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- Copyright © Cambridge University Press and British Association for American Studies 2020
References
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153 “Voices from the Philippines,” Richmond Planet, 30 Dec. 1899, 1.
154 Ibid.
155 Letter to parents, 17 Jan. 1899, cited in Thomas D. Thiessen, “The Fighting First Nebraska: Nebraska's Imperial Adventure in the Philippines, 1898–1899,” Nebraska History, 70 (1989), 234.
156 Theodore Roosevelt, Address of President Roosevelt at Arlington, Memorial Day, May 30, 1902 (Washington, DC, 1902); Kramer, “Race-Making and Colonial Violence,” 169–210; Stuart Creighton Miller, “Benevolent Assimilation”: The American Conquest of the Philippines, 1899–1903 (New Haven, CT: Yale University Press, 1982); Angel Velasco Shaw and Luis H. Francia, eds., Vestiges of War: The Philippine–American War and the Aftermath of an Imperial Dream, 1899–1999 (New York: New York University Press, 2002); Frederick J. Schenker, “Empire of Syncopation: Music, Race, and Labor in Colonial Asia's Jazz Age,” PhD thesis, University of Wisconsin, 2016.
157 “War Was Inevitable,” Washington Times, 25 March 1899, 1.
158 Wilcox, Harpers History of a War in the Philippines, 56–57. James F. Rusling, “Interview with President McKinley,” Christian Advocate, 22 Jan. 1903, 137–38.
159 Nebraska State Journal, 20 Feb. 1899, 5.
160 John White, Bullets and Bolos: Fifteen Years in the Philippine Islands (New York: Century Co., 1928), 121.
161 “Under Blankets,” Topeka State Journal, 28 Jan. 1906, 8.
162 John Bancroft Devins, An Observer in the Philippines: Or Life in Our New Possessions (New York: American Tract Society, 1905), 136.
163 Mary H. Fee, A Woman's Impressions of the Philippines (Chicago: A. C. McClurg & Co., 1910), 264; Illinois Record, 18 Feb. 1899, 3.
164 Topeka State Journal, 28 Jan. 1906, 8.
165 Wilcox, 56–57; Hamilton M. Wright, A Handbook of the Philippines (Chicago: A. C. McClurg & Co., 1907), 56; Topeka State Journal, 28 Jan. 1906, 8.
166 Fee, 264; Charles C. Pierce, “The Races of the Philippines: The Tagals”, Annals of the American Academy of Political and Social Science, 18 (1901), 21–39, 37; William B. Freer, The Philippine Experiences of an American Teacher (New York: Charles Scribner's Sons, 1906), 94.
167 Illinois Record, 18 Feb. 1899, 3.
168 Mojares, Resil B., “The Formation of Filipino Nationality under U.S. Colonial Rule,” Philippine Quarterly of Culture and Society, 34, 1 (March 2006), 11–32Google Scholar, 14.
169 Finis Farr, Black Champion: The Life and Times of Jack Johnson (New York: Fawcett Publications, 1969), 99; Randy Roberts, Jack Dempsey: The Manassa Mauler (Urbana: University of Illinois Press, 2003), 23.
170 Birmingham News, 10 June 1931, 2.
171 “Supreme Court Grants New Trials”, San Pedro News-Pilot, 7 Nov. 1932, 1.
172 For example, The Man Who Shot Liberty Valance (1962), Citizen Kane (1941), Gore Vidal's Empire (1987).
173 Spaeth, A History of Popular Music, 287; Daily Review, 5 March 1905, 1.
174 Afro-American, 22 Dec. 1956, 3; Music Trades, 25 Jan. 1908, cited in Sullivan, Encyclopedia, 514.
175 Houston Post, 10 April 1910, 33; “Tune Adopted by Filipino,” Boston Daily Globe, 23 May 1915, 97; “How It Started,” Fayette County Leader, 27 Feb. 1930, 7; “Man about Manhattan,” Spring Daily Herald, 8 July 1936, 7; Variety, 12 April 1932, 61.
176 Spaeth, Sigmund, Read ’Em and Weep: The Songs You Forgot to Remember (New York: Doubleday Page, 1926), 164Google Scholar; Johns, Time of Our Lives, 97.
177 “No Popular Songs Produced in War Time”, The Pantograph, 21 April 1944, 16; Spaeth, A History of Popular Music, 232, 258, 287; Edward B. Marks, They All Sang: From Tony Pastor to Rudy Vallée (New York: The Viking Press, 1935), 101–5.
178 Wright, Discovering African American St. Louis, 10. Also see Locke, Alain, The Negro and His Music (Washington, DC: Associates in Negro Folk Education, 1936), 62–63Google Scholar.
179 Marcuse, Tin Pan Alley in Gaslight, 192.
180 Columbia Records 14219 D, “There'll Be a Hot Time in Old Town, Tonight,” 3 Feb. 1927.
181 Sullivan, 513.