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Endecott and the Red Cross: Puritan Iconoclasm in the New World
Published online by Cambridge University Press: 16 January 2009
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The place was Salem, noon on an autumnal day in 1634 as Nathaniel Hawthorne told the story. The town's train band has assembled to be put through its paces. Fluttering in the wind is the military ensign featuring the royal colours – the red cross of St. George on a white field. Captain John Endecott receives a message from Roger Williams, who has just returned from Boston. The note tells of a plan by the king to send a governor general to rule Massachusetts and establish episcopacy. “Endecott,” writes Hawthorne, “gazed round at the excited countenances of the people, now full of his own spirit, and then turned suddenly to the standard-bearer, who stood close behind him:”
‘Officer, lower your banner!’ said he.
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References
1 The excerpt is from the Library of America edition of Hawthorne, Nathaniel, Tales and Sketches (New York: Library of America, 1982)Google Scholar, but the spelling of Endecott has been changed to maintain consistency. Colacurcio's, MichaelThe Province of Piety: Moral History in Hawthorne's Early Tales (Cambridge: Harvard University Press, 1984)Google Scholar offers insights into the nature of Puritan society as seen by Hawthorne. A point of particular interest is Colacurcio's observation that in Hawthorne's stories “we are to imagine Winthrop and his fellow expatriates as perfectly alert to all manner of symbolic possibilities from the outset” (271). Certainly Endecott's major appearance in Hawthorne comes as a destroyer of symbols – the maypole at Merrymount and the red cross at Salem.
2 Morgan, Edmund S., for example, gives little attention to the incident in The Puritan Dilemma (Boston: Little Brown, 1958)Google Scholar; the episode is ignored in Labaree's, BenjaminColonial Massachusetts (Milwood: KTO, 1979)Google Scholar; Endecott's action is categorized as rash by Pomfret, John E. in Founding the American Colonies (New York: Harper and Row, 1970).Google Scholar
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22 Another part of the context for this dispute was the developing political factionalism in the Bay. In December 1633 and January 1634 the Court of Assistants had dealt with Roger Williams for his authorship of a manuscript challenging the legitimacy of the colonists' right to the region's land. John Cotton had helped to moderate the magistrates' concerns, and Williams's apparent penitence allowed the issue to be put aside for the time. A few months later Cotton preached against the position taken by Williams and Endecott that women must be veiled in church. The summer of 1634 saw the first indications that the settlers of Newtown, including Thomas Hooker and John Haynes, were interested in moving. The Fall session of the General Court produced the first debate over the Assistants' assertion of a negative voice, with Israel Stoughton among the deputies who opposed Winthrop and the Assistants.
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27 Hooker, Thomas, “Touchinge the Crosse in the Banner,” Massachusetts Historical Society Proceedings, 62 (1909), 271–80.Google ScholarHooker, Thomas, “Miscellanae,”Google Scholar transcribed and printed in Denholm, Andrew T., “Thomas Hooker: 1586–1647” (Ph.D. dissertation, Hartford Seminary, 1961), 372 ff.Google Scholar
28 Stoughton, Israel to Stoughton, John, 1635, in Emerson, 144–45.Google Scholar Harleian Mss 4888.
29 Hooker, , “Miscellanae,” 272 ff.Google ScholarWinthrop, John to SirD'Ewe, Simonds, 20 07 1635Google Scholar, Winthrop Papers: Volume III, 1631–1637, ed. Forbes, Allyn (Boston: Massachusetts Historical Society, 1943), 200.Google Scholar
30 Shepard, Thomas, “Journal,” in McGiffert, Michael, ed., God's Plot, the Paradoxes of Puritan Piety: Being the Autobiography and Journal of Thomas Shepard (Amherst: University of Massachusetts Press, 1972), 220.Google Scholar The iconoclastic aspects of the English Puritan Revolution is a complex subject in its own right. Though the first ordinance of the Long Parliament regarding images was not passed until 1643, the Journal of the House of Commons reports a 1641 resolution that all crucifixes and religious pictures be abolished. The destruction of the Cheapside Cross was one of the most celebrated examples of popular iconoclasm, but others were to be found in all strongly Puritan areas. The Irish Rebellion of 1641 added fuel to the attacks on Catholic symbols. Nehemiah Wallington was one of many Puritans who rejoiced when images were removed from London churches in October 1641 (Seaver, Pal, Wallington's World: A Puritan Artisan in Seventeenth-Century London [Stanford: Stanford University Press, 1985], 151)Google Scholar, and Underdown, David cites various rural examples of the destruction of images in Revel, Riot and Rebellion: Popular Politics and Culture in England, 1603–1660 (Oxford: Oxford University Press, 1985), 138, 140, 178.Google ScholarRowse, A. L., Reflections on the Puritan Revolution (London: Methuen, 1986)Google Scholar, contains much valuable information on incidents of iconoclasm, but Rowse's anger at the cultural loss from these acts prevents him from having any understanding of the motives of the Puritans. I have not encountered any evidence of English Puritan concern about the cross in the flag, though it is perhaps of interest that when the Restoration was proclaimed the royalist citizens of Sherborne heralded the event by breaking out the cross of St. George (Underdown, 271).
31 Records of the Governor and Company of the Massachusetts Bay, IV (Boston: W. White, 1853), 41.Google ScholarMorris, , 20.Google ScholarPalfrey, John Gorham, History of New England During the Stuart Dynasty, III (Boston: Little Brown, 1864), 348.Google Scholar
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33 Sewall, , 1, 544–45.Google Scholar This smacks of the same Puritan scepticism that led the citizens of Norwich, England, to dispense with the traditional St. George's Day pageant in 1645 (Underdown, 259).
34 In The Interpretation of Material Shapes Anne Kibbey expands the concept of icons to include a variety of symbols, including people. She characterizes Puritan violence against Indians and women as forms of iconoclasm. There are many questions that can be raised regarding Kibbey's thesis that are beyond the scope of this article. She is correct in asserting that Puritans were not against the use of icons and symbols of other sorts. As Dickran Tashjian has argued, Puritans interpreted the second commandment to forbid not the use of images but their worship (“Puritan Attitudes toward Iconoclasm,” Puritan Gravestone Art II, The Dublin Seminar for New England Folklife: Annual Proceedings 1978, ed. Peter Benes, pp. 37–45). Endecott reacted to the cross not as a symbol but as an idol.