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The Education of Ernest Hemingway

Published online by Cambridge University Press:  16 January 2009

George Monteiro
Affiliation:
Brown University

Extract

To native writers emerging in the 1920s The Education of Henry Adams (1918) spoke with an immediacy and an authority now difficult to reconstruct. Sherwood Anderson, whose own Winesburg, Ohio (1919) would soon become another model for young writers, was puzzled by Adams's book. But he was intrigued enough by it to grapple with its ideas in the pages of his own autobiography. Scott Fitzgerald, who as a child had known Adams, not only studied the Education but paid its author a writer's compliment by putting him into This Side of Paradise. At one point, in fact, Fitzgerald had even decided to call his first novel The Education of a Personage. On the basis of the Education T. S. Eliot branded Adams a ‘sceptical patrician’, damning him as an ineffectual product of his New England heritage, but not disdaining, all the while, to snap up from die Education images and phrases for his own poetry. Ernest Hemingway, who consciously sided with Eliot on absolutely nothing, would have found himself, had the occasion forced itself, hard put to disagree with Eliot's radier summary judgement of Adams. Nevertheless, all things considered, it remains my conviction that one important way in which Hemingway's work resembles Eliot's, and both resemble Fitzgerald's, is that in certain basic characteristics it is what it is because of The Education of Henry Adams.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1974

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References

1 The Letters of F. Scott Fitzgerald, ed. Turnbull, Andrew (New York, 1963), pp. 137–8Google Scholar; and Dan Piper, Henry, F. Scott Fitzgerald, A Critical Portrait (New York, Chicago and San Francisco, 1965), pp. 45 and 47.Google Scholar

2 ‘A Sceptical Patrician’, The Athenaeum, No. 4647 (23 May 1919), 361–2.Google Scholar

3 Ex Libris (March 1925), 176–7Google Scholar; reprinted with an introductory note by Bruccoli, Matthew J., ‘A Lost Book Review: A Story-Teller's Story’, Fitzgerald/Hemingway Annual 1969 (Washington, D.C., 1969), pp. 71–4.Google Scholar

4 Hanneman, Audre, Ernest Hemingway: A Comprehensive Bibliography (Princeton, 1967), p. 269.Google Scholar

5 Fitzgerald/Hemingway Annual 1969, p. 72.Google Scholar

6 The Education of Henry Adams (Boston and New York, 1918), pp. 384–5Google Scholar. In A Story Teller's Story (New York, 1924), pp. 378–9Google Scholar, the text is quoted with slighr modifications.

7 A Moveable Feast (New York, 1964), p. 85.Google Scholar

8 Two critics have called the stories ‘educative’ in the Adams sense. (1) Carlos Baker suggests that the Nick Adams stories ‘might be arranged under some such title as “The Education of Nicholas Adams”’, but he does not tackle the question of influence (Hemingway: The Writer as Artist, third edition [Princeton, 1963], p. 128)Google Scholar. (2) Roger Asselineau organizes several stories under the same rubric, ‘L'Education de Nick Adams’, in his two-volume Pléiade edition of Oeuvres Romanesques d'Ernest Hemingway (Paris, 1968), vol. I, pp. 175Google Scholar. In an endnote Asselineau explains that he has adapted the title from Adams, Henry (vol. I, p. 1366).Google Scholar

9 Young, Philip and Mann, Charles W., The Hemingway Manuscripts: An Inventory (University Park and London, 1969), p. 45.Google Scholar

10 Hemingway, Ernest, The Nick Adams Stories (New York, 1972), p. 90.Google Scholar

11 The Sun Also Rises (New York, 1926), p. 148.Google Scholar

12 Education, p. 3.Google Scholar

13 The Sun Also Rises, p. 22.Google Scholar

14 Quoted in Baker, , Hemingway, p. 81.Google Scholar

15 ‘The Death of Love in The Sun Also Rises’, Twelve Original Essays on Great Americtn Novels, ed. Shapiro, Charles (Detroit, 1958), p. 238.Google Scholar

16 Winner Take Nothing (New York, 1933)Google Scholar. All further citations from stories in this collection follow this text.

17 That Hemingway himself shared the older waiter's joke is suggested by his rather startling note on the original manuscript of another Nick Adams story, ‘The Doctor and the Doctor's Wife’. ‘Don't feel disgraced if you're a cuckold’, wrote Hemingway. ‘Even a bull has horns’ (Hemingway Manuscripts, p. 39).Google Scholar

18 That the girl wears no head-covering, an observation offered, ostensibly, as a realistic detail, takes us back to Saint Paul's injunction: ‘every woman that prayeth or prophesieth with her head uncovered dishonoureth her head: for that is even all one as if she were shaven’ (I Corinthians 11:5). Recall, also, that Jake Barnes makes a point of telling us that Brett Ashley was stopped just inside the church at Pamplona because she was not wearing a hat (The Sun Also Rises, p. 155Google Scholar), and that in For Whom the Bell Tolls one of the fascists’ obscenities was to shave Maria's head.

19 Education, p. 384.Google Scholar

20 Education, pp. 388 and 388–9.Google Scholar

21 Anonymous, North American Review, 208 (12 1918), 925.Google Scholar

22 For Whom the Bell Tolls (New York, 1940), p. 467.Google Scholar

23 Adams, presented Mont-Saint-Michel and Chartres (Boston and New York, 1913)Google Scholar as an uncle's long monologue to his nieces (p. xiv); see also Adams, 's Letters to a Niece and Prayer to the Virgin of Chartres, with a niece's memories by Mabel La Farge (Boston and New York, 1920).Google Scholar

24 Baker, Carlos, Ernest Hemingway: A Life Story (New York, 1969), p. 406.Google Scholar