Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-29T11:05:25.415Z Has data issue: false hasContentIssue false
  • English
  • Français

The Transmogrification of Faerie Land Into Prairie Land

Published online by Cambridge University Press:  16 January 2009

Joann Peck Krieg
Joann Peck Krieg
Affiliation:
Joann Peck Krieg teaches in the Department of English, Hofstra University, Hempstead, Long Island, New York 11550.
Get access Rights & Permissions [Opens in a new window]

Extract

In the spring of 1827 the splendidly appointed steamship Albany slid for the first time into the waters of the Hudson River to begin what proved to be an eighteen-year career of commercial travel on that busy waterway. Two years earlier the opening of New York's Erie Canal linking Albany to its western sister city, Buffalo, had enhanced the already flourishing steamboat commerce on the Hudson, for that mighty river then became the principal access to the great westward water route that terminated with the Ohio and Mississippi Rivers.

Type
Research Article
Information
Journal of American Studies , Volume 19 , Issue 2 , August 1985 , pp. 199 - 223
Copyright
Copyright © Cambridge University Press 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 See Rider, Philip R., “Samuel F. B. Morse and The Faerie Queene,” Research Studies, 46 (1977), 205–13Google Scholar.

2 “On Poetry in its Relation to our Age and Country,” in Prose Writings of William Cullen Bryant, Vol. i, ed. Godwin, Parke (New York, 1884; rpt. N.Y.: Russell & Russell, 1964), p. 34Google Scholar.

3 Price accepted Burke's theory of the sublime and the beautiful but in his 1794 Essays on the Picturesque proposed the third category as a necessary addition to Burke.

4 Quoted by Rider, p. 205.

5 Flexner, James T., That Wilder Image, History of American Painting, Vol. 3 (New York: Dover Publications, 1970), p. 4Google Scholar.

6 The Complete Writings of Walt Whitman, Vol. 10, p. 83. (New York and London, 1902)Google Scholar. See Krieg, Joann P., “Whitman and Spenser's ‘E.K.’,” Walt Whitman Quarterly Review, 2 (09 1983), 29–31CrossRefGoogle Scholar.

7 Rothman, Irving N., “John Trumbull's Parody of Spenser's ‘Epithilamion’,” Yale University Library Gazette, 47 (04 1973), 193–215Google Scholar.

8 The Gazette of the United States, Phila., 16 07 1791Google Scholar. Reprinted in The Poetry of the Minor Connecticut Wits, ed. Franklin, B., (Gainesville, Fla.: Scholars' Facsimiles & Reprints, 1970), pp. 923–25Google Scholar.

9 I am much indebted here to Ringe, Donald A.'s study, The Pictorial Mode, Space and Time in the Art of Bryant, Irving and Cooper (Lexington: Univ. Press of Kentucky, 1971), pp. 175–77Google Scholar.

10 As early as 1828 Cole expressed this in a letter to his patron Daniel Wadsworth; he seems never to have lost the desire.

11 Dillenberger, John, Benjamin West, The Context of His Life's Work with Particular Attention to Paintings with Religious Subject Matter (San Antonio: Trinity Univ. Press, 1977), p. 192Google Scholar.

12 Ibid.

13 Brown, Jules D., John Singleton Copley, Vol. II, In England, 1774–1815 (Cambridge, Mass.: Harvard Univ. Press, 1966), p. 342Google Scholar.

14 Clark, Kenneth, Landscape Into Art (N.Y.: Harper & Row, 1976), p. 3Google Scholar.

15 Ibid., p. 73.

16 Quoted in Amory, Martha Babcock, The Domestic & Artistic Life of John Singleton Copley, R.A. (Boston: Houghton Mifflin, 1882), Appendix DGoogle Scholar.

17 Brown, Charles Brockden, “Spencer's [sic] Fairy Queen Modernized,” Literary Magazine, iii, 21 (06 1805), 424–25Google Scholar.

18 Matthiessen, F. O., American Renaissance (1968; rpt. Oxford: Oxford Univ. Press, 1970), p. 201Google Scholar.

19 The familiar quotation is from “The Author's Account of Himself,” in The Sketch Book (1819)Google Scholar.

20 See Bryant, , “Poets and Poetry of the English Language,” in Prose Writings of William Cullen Bryant, Vol. i, ed. Godwin, Parke (New York, 1884; rpt. N.Y.: Russell & Russell, 1964), p. 152Google Scholar. For the background on the lectures see The Letters of William Cullen Bryant, Vol. i, eds. Bryant, William Cullen II and Voss, Thomas G. (N.Y.: Fordham Univ. Press, 1975), p. 181Google Scholar.

21 Emerson, , The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson, Vol. ix, eds. Orth, Ralph H. and Ferguson, Alfred R., (Cambridge: Harvard Univ. Press., 1971), p. 30Google Scholar.

22 Wood, William, New England's Prospect, ed. Vaughan, Alden T. (Amherst: Univ. of Mass. Press, 1977) p. 39Google Scholar.

23 I have borrowed terminology used by Nevius, Blake in his chapter, “Landscape and Prospect,” in Cooper's Landscapes, An Essay on the Picturesque Vision (Berkeley: Univ. of California Press, 1976)Google Scholar.

24 Cooper, , The Complete Works of James Fenimore Cooper, Vol. 4, The Pioneers (N.Y.: G. P. Putnam's Sons, 1893), p. 29Google Scholar.

25 For further discussions of the similarities between Cooper's descriptions and the landscape artists see Ringe, Donald, The Pictorial Mode and James Fenimore Cooper (Yale Univ. Press, 1962)Google Scholar, and also Peck, H. Daniel, A World By Itself: The Pastoral Moment in Cooper's Fiction (Yale Univ. Press, 1977)Google Scholar.

26 Nevius, , Cooper's Landscapes, p. 45Google Scholar.

27 Aderman, Ralph M., “Washington Irving as a Purveyor of Old and New World Romanticism,” paper read at a conference on “Romanticism in the Old and New World,”Hofstra University,October 1983Google Scholar.

28 Nevius, p. 15.

29 Cooper, , Complete Works, Vol. 6, The Prairie, p. 89Google Scholar.

30 The reference to Marx, Leo is to his The Machine in the Garden, Technology and the Pastoral Ideal in America, Oxford Univ. Press, 1964Google Scholar.

31 Walpole, Horace, On Modern Gardening (1758; rpt., N.Y.: Young Books, 1931), p. 43Google Scholar.