¹ Kidd, Stuart, “Redefining the New Deal: Some Thoughts on the Political and Cultural Perspectives of Revisionism,” Journal of American Studies, 22 (1988), 389–415.CrossRefGoogle Scholar

² Ibid., 412.

³ Ibid., 413.

⁴ Samuel, Raphael, MacColl, Ewan and Cosgrove, Stuart, Theatre of the Left 1880–1935 (London: Routledge and Kegan Paul, 1985), 266–67.Google Scholar

⁵ Williams, Jay, Stage Left (New York: Scribner's Sons, 1974), 36.Google Scholar

⁶ Samuel, et al. , 266.Google Scholar

⁷ Ibid., 306–15. The entire script is reprinted.

⁸ See Williams for the original version.

⁹ Samuel, et al. , 267.Google Scholar

¹⁰ Kidd, , 410.Google Scholar

¹¹ Jay Williams's Stage Left is still the best full-length account of the left-wing theatre to have been written, although shorter studies within more general collections have emerged in recent years. See Cosgrove, Stuart in Samuel, et al. , and McConachie, Bruce and Friedman, Daniel, eds., Theater for Working-Class Audiences in the United States 1830–1980 (Westport: Greenwood Press, 1985).Google Scholar

¹² Kidd, , 414.Google Scholar

¹³ McDermott, Douglas, “The Living Newspaper as a Dramatic Form,” Modern Drama, 8, (1965–1966), 84–5.Google Scholar

¹⁴ de Hart Mathews, Jane, The Federal Theater 1935–1939: Plays, Relief and Politics (Princeton: Princeton University Press, 1967), 33.Google Scholar

¹⁵ See Houseman, John, Run-Through (New York: Simon and Schuster, 1972) for a full account.Google Scholar

¹⁶ O'Connor, John, “The Federal Theater Project's Search for an Audience,” in McConachie and Friedman, 180–1.Google Scholar

¹⁷ Kidd, , 412.Google Scholar

¹⁸ Ibid.

¹⁹ Whitman, Willson, Bread and Circuses (1937; rept. New York: Drama Book Specialists, 1972), 4–5.Google Scholar

²⁰ Craig, E. Quita, Black Drama of the Federal Theater Era: Beyond the Formal Horizons (Amherst: University of Massachusetts Press, 1980), 9.Google Scholar