In the work of contemporary writers who explore the racial and social geography of growing up in the American South, fleeting encounters between white and black girls abound but enduring friendships prove to be more problematic to represent. In Ellen Foster (1987), Ellen and Starletta's association stretches across the novel whereas, most frequently in fictions, the points at which black and white women converge and relate tend to be brief and transient, as in Toni Morrison's Beloved (1987) where a heavily pregnant and fugitive Sethe is aided by poor white Amy; or in Thulani Davis's 1959 (1992) where the brief kindness of a white woman is remembered as a significant, if fleeting gesture. I wish to raise questions about the ways in which cross-racial childhood relationships are represented formally and aesthetically. There is often an understandable but troubling literary–critical impasse whereby black girls are contained within the first-person narrations of white protagonists which, whilst explicating the connection between the girls, risk engulfing or subsuming the black “best friend.” I shall examine the ways in which this may be the inevitable result of the Bildungsroman form and consider how the representation of the cross-racial friendship at the heart of Ellen Foster is modified in direct correspondence to the novel's structuring.