Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-24T14:23:47.586Z Has data issue: false hasContentIssue false
  • English
  • Français

Likenesses? - The Image of the Black in Western Art. Volume IV: From the American Revolution to World War I. Part I: Slaves and Liberators. Part 2: Black Models and White Myths. By Hugh Honour. Houston: Menil Foundation (distributed by Harvard University Press), 1989. Pp. 379+196 illus.; pp. 306+183 illus. $50 (£34.95) each part.

Published online by Cambridge University Press:  22 January 2009

A.D.R.
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
The Journal of African History , Volume 31 , Issue 3 , November 1990 , pp. 497 - 498
Copyright
Copyright © Cambridge University Press 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 A modest but pioneering venture was Kunst, H.-J., The African in European Art (Bad Godesberg, 1967).Google Scholar See also Smith, Robert, ‘In search of Carpaccio's African Gondolier’, Italian Studies, XXXIV (1979), 45–60.CrossRefGoogle Scholar

2 Cf. Das Exotische Plakat (exhibition catalogue: Stuttgart, Edition Cantz, 1987)Google Scholar; Negripub: L'Image des Noirs dans la Publicité depuis un Stècle (Paris, Bibliothèque Forney, 1987).Google Scholar