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Excavations at Tall Arpachiyah, 1933

Published online by Cambridge University Press:  12 April 2016

Extract

In 1932 the British School of Archaeology in Iraq made a grant of £600 towards an expedition to Arpachiyah, this being the first donation of the Gertrude Bell Memorial Fund to an archaeological expedition. The Trustees of the Percy Sladen Memorial (Linnean Society) also made a generous award of £400, and there were further munificent grants of £100 from Sir Charles Marston, £500 from an anonymous donor, and from many private subscribers. The Trustees of the British Museum undertook the scientific responsibility for the expedition.

Type
Research Article
Copyright
Copyright © The British Institute for the Study of Iraq 1935

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References

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page 22 note 1 E. Herzfeld, Ausgrabungen von Samarra, Chapter viii.

page 23 note 1 Cf. Contenau, , Manuel d'Archéologie Oriental, III, 1616 Google Scholar, Tableau I, for a comparative table.

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page 25 note 1 A.A.A. XX, pl. 73, for the prehistoric section, and 127-75.

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page 72 note 1 Opinions differ, however, as to the technique employed. Cf. Lucas, , Annales du Service des Antiquités de l'Égypte, 1932 Google Scholar. Also Lucas, , Ancient Egyptian Materials and Industries (2nd. ed.) pp. 329332 Google Scholar.

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page 76 note 2 We are indebted to Dr. H. H. Thomas of the Petrographical Department of the British Museum, South Kensington, for the identification of these materials.

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page 79 note 1 Cf. E. Douglas van Buren, Clay Figurines of Babylonia and Assyria, for a general discussion on the significance of the nude female figurines. There is some doubt as to whether the type represents the ‘mother-goddess’ or a devotee, or whether it is merely symbolic of the functions of womanhood in general. Cf. also De Genouillac, Les Premières Recherches Archéologiques à Kick, where the nude female figurine is described as the doll goddess.

page 79 note 2 Cf. W. S. Blackman, The Fellahin of Upper Egypt, Ch. 4, on birth and childhood.

page 79 note 3 Cf. Buist, R. C. M.A., M.D., Posture in Difficult Labour (The British Medical Journal, 08 9, 1924)Google Scholar. In this most interesting article the eminent gynaecologist recognized the significance of the posture of a figurine from Tall Ḫalaf in the British Museum.

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page 90 note 1 A mound 2 miles east of Arpachiyah: on the surface I observed sherds of Tall Ḫalaf ware.

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page 91 note 1 W. S. Blackman, The Fellahin of Upper Egypt, Ch. IV, fig. 29.

page 91 note 2 Harrison, J. E., Mystica Vannus Iacchi (J.H.S. XXIII, XXIV)Google Scholar.

page 95 note 1 I am indebted to Mr. C. J. Gadd for this identification.

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page 95 note 3 J.H.S. XXIII, xxiv.

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page 98 note 2 A.A.A. xx. 141 Google Scholar.

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page 102 note 2 I am indebted to Mr. Sidney Smith for information on this point.

page 102 note 3 G. A. Wainwright, Obsidian (Ancient Egypt, September, 1927, Part III).

page 103 note 1 Woolley, , Ur Excavations, The Royal Cemetery, II, pl. 229Google Scholar.

page 104 note 1 Childe, Gordon, Eurasian Shaft-Hole Axes (Eurasia Septentrionalis Antigua, IX)Google Scholar.

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page 112 note 1 Gordon Childe, Notes on some Indian and East Iranian Pottery (Ancient Egypt and the East, March, June 1933, Parts I, II). The term ‘Maltese square’ is used to describe a square with triangles at the four corners. This very convenient term deserves notice, as it serves to describe a complicated design constantly used on Chalcolithic pottery.

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page 114 note 1 D.P.M., tome 13, pls. XVI-XVIII.

page 114 note 2 Memoirs of the Archaeological Survey of India, No. 43, pl. XV.

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page 127 note 1 A.A.A. XX, pl. XLII, No. 3.

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page 129 note 1 Stein, Memoirs of the Archaeological Survey of India, No. 37, pl. XX, S.J. II, 4.

page 131 note 1 A.A.A. XX, pl. XLII, No. 19.

page 131 note 2 Cf. Chapter 8, pp. 103-104.

page 136 note 1 A fragment of a cup with dotted circles in black paint on a buff clay, and another with a red quatrefoil design on a dark ground, from TT 6. Also fragments of pedestals from sq. Fb V. 2, at 1·5 m. below the surface. Period: TT 6-7.

page 136 noet 2 Isa. XXX. 14, ‘and he shall break it as the breaking of the potters’ vessel that is broken in pieces’. Cf. also Jer. xix. 11 and Ps. ii. 9. Cf. J.R.A.S., 1926, 708, note 1.

page 144 note 1 Von Oppenheim, Der Tell Halaf, taf. 51.

page 150 note 1 Herzfeld, Die Ausgrabungen von Samarra, taf. XIX.

page 151 note 1 A.A.A. XX, pl. XXXIX, No. 15.

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page 163 note 1 Contenau, G., Manuel d'archéologie orientale, I. 411, and figs. 213-23Google Scholar.

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page 167 note 2 D.P.M. XIII, pl. XVI, and Von Oppenheim, Der Tell Halaf, taf. 53, No. 1.

page 169 note 1 A.A.A. XX.

page 170 note 1 A.A.A. XX.

page 170 note 2 Von Oppenheim, Der Tell Halaf, taf. 53, No. 17.

page 174 note 1 A.A.A. XX, pl. XXXV, No. 1.

page 174 note 2 Ibid, I (1908).

page 174 note 3 Ibid, XX, pl. XXXVI, Nos. 18-22, for illustrations of the type, and p. 150 for a general discussion

page 175 note 1 Oppenheim, von, Der Tell Halaf, 253 Google Scholar.

page 176 note 1 The best clays must also have been washed and refined.

page 177 note 1 Herzfeld, Die Ausgrabungen von Samarra, pl. XLIV.

page 178 note 1 D.P.M., XIII, pl. XXI, No. 2.

page 178 note 2 Stein, Memoirs of the Archaeological Survey of India, No. 37.