Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-06T06:14:11.074Z Has data issue: false hasContentIssue false

The Jewellery of Palmyra and its Significance

Published online by Cambridge University Press:  12 April 2016

Extract

It is a curious fact that though remarkably little has survived of the jewellery worn by the women of Palmyra in the first centuries of our era, we know enough from sculptured representations of it to hasard the statement that it provides important evidence of the wide-flung commercial relations of that city at the zenith of its activity. For several decades past there have been coming into the museums of Europe and America large numbers of sculptured busts from the ruins of the desert city, each standing out in high relief on a square or oblong slab of stone, which also bears, to right or left of the head, a brief inscription in Palmyrene. The details of clothing and jewellery represented on these busts, the dressing of the hair and of the men's beards, the objects held in the hands, all are well worth study for the light they throw on the life and fashions of the times, and particularly on the commercial relations of the caravan city with other lands to east and west.

The inscriptions, in whose incised characters traces of the red paint with which they were originally embellished often still remain, are remarkably uniform: a formal word of regret, best translated as ‘Alas !’, and the name and genealogy carried back through the male line for two, and occasionally three or more, generations. Typical inscriptions read: ‘Alas ! Jarḥai, son of Jedī‘bel, son of Simon, (son of) Argan’; ‘Alas ! Elahsā, son of Taimisā, son of Samsigeram, (son of) Ḥabbazi’. A considerable number of Jewish names occur, and a sprinkling of Persian, Nabataean, Phoenician and other names, There are yet others of Greek and Roman form, of which the latter would appear to have been freely adopted by Palmyrene citizens of the later periods, e.g., the brothers Narqaios and Qallistus, sons of Šalman Marcellus. Occasionally the date was added, reckoned from the official beginning of the Seleucid era, October 7, 312 B.C. The inscription on one such dated bust reads: ‘Alas ! ‘Aha, daughter of Ḥalaftā, son of Bar‘ā, (son of) Zabd'atā … Month of September, 473’ (=A.D. 161).

Type
Research Article
Information
IRAQ , Volume 11 , Issue 2 , Autumn 1949 , pp. 160 - 187
Copyright
Copyright © The British Institute for the Study of Iraq 1949

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Baur-Rostovtzeff, , Excavations at Dura-Europos, Second Season, 1928–9. New Haven, U.S.A., 1931.Google Scholar
Baur-Rostovtzeff-Bellinger, , Excavations at Dura-Europosy Fourth Season, 1930–1. New Haven, U.S.A., 1933.Google Scholar
Breasted, J. H., Oriental Forerunners of Byzantine Painting. Chicago, 1924.Google Scholar
Cantineau, J., Inventaire des inscriptions de Palmyre; 9 parts. Beyrouth, Imprimerie Catholique, 19301933.Google Scholar
Chabot, J.-B., Choix d'inscriptions de Palmyre. Paris, Imprimerie Nationale, 1922.Google Scholar
Cheng, Te-k'un, Early History of Szechwan. Chengtu University Museum, China, 1945.Google Scholar
Cheng, Te-k'un, Introduction to Szechwan Archaeology. Chengtu University Museum, China, 1947.Google Scholar
Clermont-Ganneau, Ch., Recueil d'archéologie orientale, I-VIII. Paris, Ernest Leroux, 1888.Google Scholar
Clermont-Ganneau, Ch. (Revue archéologique, II. Paris, 1886.)Google Scholar
Cumont, F., Deux monuments des cultes solaires: II, Invocation au Soleil accompagnée des “mains supines” (Syria, XIV, 1933).Google Scholar
De Ridder, A., Collection de Clercq, IV. Paris, Ernest Leroux, 1906.Google Scholar
De Vogüé, Melchior, Corpus inscriptionum semiticarum, pars II, t. iii. Paris, 1931.Google Scholar
Dikaios, P., A Guide to the Cyprus Museum. Nicosia, Cyprus Government, 1947.Google Scholar
Euting, J., Epigraphische Miscelien (Sitzungberichte der Königlich Preussischen Akademie der Wissenschaften zu Berlin, XXXV, 1885).Google Scholar
Gibbon, Edward, Decline and Fall of the Roman Empire (Dr.Smith, Wm. edition). London, John Murray, 1914.Google Scholar
Gjerstad, Einar, and Others, Swedish Cyprus Expedition, 19271931, III.Google Scholar
Hall, Ardelia R., La collection Indienne du Musée de Boston (Mouseion, 4344, 1958).Google Scholar
Hopkins, Clark, Aspects of Parthian Art in the Light of Discoveries from Dura-Europos (Berytus, III, 1936, pt. 1, 2–30, pls. I–VIII).Google Scholar
Ingholt, H., Studier over Palmyrensk Skulptur (in Danish). Copenhagen, 1928.Google Scholar
Ingholt, H., Palmyrene Sculptures in Beirut (Berytus, I, 1934. American Press, Beirut.)Google Scholar
Ingholt, H., Five Dated Tombs of Palmyra (Berytus, II, 1935. American Press, Beirut).Google Scholar
Ingholt, H., Paa Udgravning i Palmyra (in Danish). Copenhagen, 1930.Google Scholar
Ingholt, H., Sept campagnes de fouilles à Ham a en Syrie, 1932–1938. Copenhagen, 1940.Google Scholar
Johnson, J., Jewelry (BAUR-ROSTOVTZEFF, Excavations at Dura-Europos, Second Season, 1928–9. New Haven, U.S.A., 1931).Google Scholar
Mackay, E., Sumerian Palace and “A” Cemetery, Kish: Anthropological Memoir, No. 2, Field Museum, Chicago, 1929.Google Scholar
Mackay, E., Chanhu-daro Excavations, 1935–36: American Oriental Series, No. 20. New Haven, U.S.A., 1943.Google Scholar
Marshall, F. H., Catalogue of the Jewellery, Greek, Etruscan and Roman, in the British Museum, 1911.Google Scholar
SirMarshall, J., The Jewels of Taxila of the Saça Period (Archaeological Survey of India Annual Report, 1926–7 (1930); also Annual Report, 1929–30 (1935).Google Scholar
Marshall, Mackay and Others, Mohenjo-daro and the Indus Civilization. London, A. Probsthain, 1931.Google Scholar
Milne, J. G., Syriac Substitute Currencies (Iraq, VI, 1939 (part 2). London, British School of Archaeology in Iraq, 1939).Google Scholar
MissNettleton, M. T., Silver Jewelry and Beads (BAUR-ROSTOVTZEFF-BELLINGER, Excavations at Dura-Europos, Fourth Season, 1930–1. New Haven, U.S.A., 1933).Google Scholar
Perrot, G.-Chipiez, Ch., Histoire de l'art dans l'antiquité: III, Phénicie-Cypre. Paris, 1885.Google Scholar
Pfister, R., Textiles de Palmyre. Paris, Les Editions d'Art et d'Histoire, 1934.Google Scholar
Pliny, G. (the ELDER), Historia naturalis.Google Scholar
Pollio, Trebellius, Tyranni triginta (Historia Augusta).Google Scholar
Pope, A. U., A Survey of Persian Art. Oxford University Press, London and New York, 1938.Google Scholar
Rostovtzeff, M. I., Dura-Europos and its Art. Oxford, 1938.Google Scholar
Schröder, P. (Z.D.M.G., XXXIX).Google Scholar
Seligman, C. G., The Roman Orient and the Far East (Antiquity XI; March, 1937).CrossRefGoogle Scholar
Seyrig, H., Armes et costumes iraniens de Palmyre (Syria, XVIII, 1937).Google Scholar
Simonsen, D., Sculptures et inscriptions de Palmyre à la Glyptothèque de Ny Carlsberg. Copenhagen, 1889.Google Scholar
Swedish Cyprus Expedition, 1927-31, III. See Gjerstad, E., and Others.Google Scholar
Waddington, W. H., Recueil des inscriptions grecques et latines de la Syrie. Paris, 1870.Google Scholar
Woolley, C. L., Ur Excavations: II, The Royal Cemetery. Publications of the Joint Expedition of the British Museum and of the Museum of the University of Pennsylvania to Mesopotamia: New York, 1934.Google Scholar