Published online by Cambridge University Press: 07 August 2014
For Barbara who introduced me to Iraq and Donald who introduced me to cuneiform
The Uruk period is one of the most fascinating in the archaeology of the Near East. Its great temples, fine sculpture and glyptic, metal-working skills, and, above all, introduction of writing, mark it as the summit and the turning point in the beginnings of urban civilization. By these characteristics its spread can be traced up the Tigris and Euphrates into central Syria and Anatolia, and eastwards across Iran. Beside the impressive products of its architects, artists and clerks, the Uruk culture proclaims its presence most loudly through its pottery. Among the pots and pans, the most common is one of the simplest and least attractive of all near eastern pots, the bevelled-rim bowl (Glockentopf, écuelle grossière à lèvre bisautée).
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17 I am grateful to Mrs. Lyn Forbes for this information drawn from her knowledge of Greece where such bread is called paximadhi, Mrs. Forbes kindly offered other useful observations on methods of making and baking bread.
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32 This paper was presented at the first meeting of the British Association for Near Eastern Archaeology, Manchester, December, 1987. I am grateful to several participants for their comments, and especially to Dr. Norbert Karg who drew my attention to an essay by Klaus Schmidt who had already proposed that the bevelled-rim bowls should be interpreted as bread moulds in the light of the Egyptian moulds, “Zur Verwendung der Mesopotamischen ‘Glockentöpfe’” Archäologisches Korrespondenzblatt 12 (1982), 317–9Google Scholar. Since that paper is little known, it seems worthwhile restating and elaborating the proposal here. My colleagues K. A. Kitchen and C. J. Eyre have generously advised me on the Egyptian sources.