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Stones from Bavaria: Iranian Lithography in its Global Contexts
Published online by Cambridge University Press: 01 January 2022
Abstract
This essay traces the circulation of the industrial commodities of lithographic presses and stones and compares the uses to which these commodities were put in Iran with other regions at the same time. Using Persian travelogues as sources on scientific exchange, the essay compares Iran's access to lithography with its spread through Europe, Russia and South and Southeast Asia. Using lithography as a gauge of Iran's integration into an industrializing global economy, it compares state-led Iranian attempts to access lithographic commodities with attempts by other regional powers to develop local sources for these ‘stones from Bavaria’. After tracing the role of Christian Evangelicalism in the technology's dissemination, the essay finally contextualizes Iranian uses of lithography in global developments in illustrated and newspaper printing.
Since the art of Lithography has risen to considerable celebrity, attempts have been made to discover the same species of stone…
– Aloys Senefelder, 1819- Type
- Research Article
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- Copyright © 2010 The International Society for Iranian Studies
Footnotes
I am grateful to Willem Floor, Rudi Matthee, Geoffrey Roper, Hossein Shahidi and particularly Ulrich Marzolph for generous suggestions on an earlier version of this essay.
References
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