Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-23T02:58:36.428Z Has data issue: false hasContentIssue false
  • English
  • Français

Introduction

Published online by Cambridge University Press:  01 January 2022

Layla S. Diba
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Articles
Information
Iranian Studies , Volume 34 , Issue 1-4: Qajar Art and Society , 2001 , pp. 1 - 4
Copyright
Copyright © Association For Iranian Studies, Inc 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Amanat, Abbas, “The Study of History in Post-Revolutionary Iran: Nostalgia, Illusion, or Historical Awareness?” Iranian Studies 22 (1989): 3–18.CrossRefGoogle Scholar

2. Ettehadieh, M. (Nezam Mafi) and Mir Mohammad Sadeq, S., “A Review of Historical publications in Iran from 1987-1996,” Iranian Studies 30 (1997): 117–29.CrossRefGoogle Scholar

3. See my essay “Making History: A Monumental Battle Painting of the Perso-Russian Wars” in Proceedings of The Qajar Epoch: Arts & Architecture Conference. London 1-4 September, 1999Google Scholar (forthcoming) for further evidence of the first phase of construction under Fath ᶜAli Shah and particularly the history of the Ishrat Ayin Palace.

4. First noted in Layla S. Diba with Ekhtiar, Maryam, Royal Persian Paintings: The Qajar Epoch, 1785-1925 (London and Brooklyn, NY, 1998), 42Google Scholar, wherein the ruler is misidentified as Nasir al-Din Shah. I am grateful to Manijeh Bayani Wolpert for correcting the identification of the ruler.