Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-23T01:46:29.775Z Has data issue: false hasContentIssue false
  • English
  • Français

Introduction to Entertainment in Qajar Persia

Published online by Cambridge University Press:  01 January 2022

L.A. Ferydoun Barjesteh van Waalwijk van Doorn
L.A. Ferydoun Barjesteh van Waalwijk van Doorn*
Affiliation:
International Qajar Studies Association (IQSA), Qajar Studies
Get access Rights & Permissions [Opens in a new window]

Abstract

As far as written records and oral traditions indicate, entertainment in the Qajar era touched on all aspects of life, both public and private. Contrary to Western opinion about this period, Qajar society exhibited a great variety of entertainments, many of which (even when public) were not visible to the outsider, given the constraints of a strongly traditional society and of the class-bound nature of many of the entertainments requiring access to the court, the aristocracy or the inner sanctums of the houses of the grandees. Nevertheless, the picture that now emerges is one of plenty rather than penury, and a closer look at the variety of entertainments is thus eminently relevant and in order.

Type
Research Article
Information
Iranian Studies , Volume 40 , Issue 4: Entertainment in Qajar Persia , September 2007 , pp. 447 - 454
Copyright
Copyright © The International Society for Iranian Studies 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Fischer, Michael M.J., Iran. From Religious Dispute to Revolution (Cambridge, 1980), 108Google Scholar. See also van Waalwijk van Doorn, L.A. Ferydoun Barjesteh (Khosrovani) and Khosrovani, Mohammad Reza, “The Mausoleum of Fath Ali Shah at the Shrine of Hazrat Masoumeh and the Grave of Prince Mohammad Amin Mirza,” in Qajar Studies, VI (2006): 145–171Google Scholar.

2 See Parviz, Nazanin, The Complete Pictorial Guide to Tehran Historical Monuments (Tehran, 2000)Google Scholar.

3 Shahri, Jafar, Tehran-e Ghadim, 2nd ed., (Tehran, 1376 solar), 1:110–117Google Scholar.

4 Peter Chelkowski, Nasser ed-Din Shah's Patronage of Ta‘ziyeh, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

5 Nekoogar, Farzad, “Pahlavani during the Qajar Dynasty,” in Qajar Era Health, Hygiene and Beauty, eds. van Waalwijk van Doorn-Khosrovani, Sahar Barjesteh, van Waalwijk van Doorn, L.A. Ferydoun Barjesteh (Khosrovani) and Eskandari-Qajar, Manoutchehr M. (Rotterdam, 2003): 99–105Google Scholar.

6 Shahri, 1:179.

7 Philippe Rochard, Zourkhaneh: le Ganjineh-ye Koshti (tresor de la lutte) d’‘Ali-Akbar ebn-e Mehdi al-Kashani, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

8 Shireen Mahdavi, Amusements in Qajar Iran, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

9 Shahri, 3:380.

10 Bernard Hourcade and Suzanne Rigaud, The Beginnings of Mountaineering in Iran in the Qajar Era, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

11 Koshoridze, Irina, “The Hunt as Entertainment and Symbol: Depictions of Hunting Scenes from the Qajar Era in the Collections of the Georgian National Museum,” Qajar Studies VI (2006): 43–65Google Scholar.

12 See Martin, Vanessa, “The Jester and the Shadow of God: Nasir al-Din Shah and His Fools,” Qajar Studies VI (2006): 98–111Google Scholar.

13 Rudi Matthee, Pursuit of Pleasures in the Qajar Era, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

14 Ettehadieh, Mansoureh (Nezam Mafi) and Farmaian, Bahman Farman, “Beginning of Illustrated Journals during the Reign of Nasser ed-Din Shah, and the Work of Sani ol-Molk,” Qajar Studies VI (2006): 67–97Google Scholar.

15 Manoutchehr M. Eskandari-Qajar, Morality Novellas in the Newspapers of the late Qajar Period: Yahya Mirza Eskandari's Eshgh-e Doroughi and ‘Arousi-e Mehrangiz, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

16 Ali Gheissari, Textual Pleasures in Qajar Iran: Notes on Satire and Historical Novels, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

17 Natchkebia, Irine, “Persian Entertainment during the First Russian-Persian War. From information by Napoleon's Emissaries 1805–1809,” Qajar Studies VI (2006): 17–41Google Scholar.

18 Homa Katouzian, Iraj, the Poet of Love and Humor, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

19 Abol Hassan Khan's travelogue was translated and published in English through the efforts of Cloake, Margaret Morris, as A Persian at the Court of King George: 1809–1810: The Journal of Mirza Abul Hassan Khan (London, 1988)Google Scholar. Two of Nasser-ed-Din Shah's travelogues were translated into English: Redhouse, J.W., The Diary of H. H. the Shah of Persia (London, 1874)Google Scholar and Houtoum-Schindler, A. and Norman, L. de, A Diary Kept by His Majesty the Shah of Persia During his Journey to Europe in 1878 (London, 1879)Google Scholar.

20 Manoutchehr M. Eskandari-Qajar, Morality Novellas in the Newspapers of the late Qajar Period: Yahya Mirza Eskandari's Eshgh-e Doroughi and ‘Arousi-e Mehrangiz, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

21 Farhat, Hormoz, The Dastgah Concept in Persian Music, Ph.D. Dissertation. University of California, 1965Google Scholar.

22 The online Iran Daily of 23 April 2005.

23 Ameneh Youssefzadeh, Music at the Qajar Court, paper at the 6th IQSA Conference on Entertainment in Qajar Persia, Paris, June 2006.

24 Browne, Edward Granville, A Year amongst the Persians. Impressions as to the Life, Character and Thought of the People of Persia, received during Twelve Months’ Residence in that Country 1887–1888 (London, 1984), 302Google Scholar.